Among plenty of other achievements, MASH is (allegedly) the first major studio film to make use of the word “fuck”. While not necessarily a proven fact depending on your definition of “major studio”, the employment of the word is the perfect illustration of the important and innovative way MASH used dialogue. A large portion of Robert Altman’s filmography is made up of movies that are filled to the brim with sharp wit and fast banter, and MASH is arguably the finest example.
Donald Sutherland stars as Hawkeye Pierce, surgeon in the U.S. Army during the Korean War, prankster and goofball extraordinaire. Hawkeye, along with cohorts that include characters played by Tom Skerritt and Elliot Gould, is a lover of all things mischievous and manages to cause trouble even when he is blissfully unaware of doing so. This is war, of course, so people lose good friends and die themselves during the endless futilities of battle – in a Catch-22 sort of way, MASH uses its relentless humor as a way to illustrate this futility in highly satirical fashion, with Hawkeye and Co. essentially laughing in the face of meaningless death because what else can you do? In a Catch-22 sort of way, it works like a charm.