Malice is without a doubt the odd duck in the Aaron Sorkin filmography. More so than possibly any modern American screenwriter, Sorkin is now synonymous with “politics”, with work that peers into the lives of the men and women who already live under intense scrutiny – The West Wing is possibly still his greatest example in this regard, but The American President and Charlie Wilson’s War deal in similar arenas. A Few Good Men also exists in this vein, as does the tech-giant exploration The Social Network; neither are about politicians per se, but “politics” is broader than simply politicians. Sorkin’s politics exist in the hot topics of today, whether it’s the relationship between foreign powers or relationship status between two of your friends on Facebook. One can imagine that Jobs, Sorkin’s upcoming biopic on the late Apple founder, will continue this trend.
But Malice, Sorkin’s second produced screenplay, isn’t about famous people. Instead, it’s about incredibly moronic people. Bill Pullman stars as Andy, mild-mannered loving husband to Nicole Kidman’s Tracy. One day they meet Alec Baldwin’s Jed, a hotshot surgeon who used to go to high school with Andy. They hit it off and Jed rents the room above Andy and Tracy because he’s new in town. Meanwhile, a series of vicious attacks on local women occurs – and when one ends in murder, things begin to hit closer to home for Andy.