Apart from having an awesome title, “Penguin One, Us Zero” serves to better establish what The Leftovers looks like as a week-by-week television series. The pilot episode did a great job of setting up the new post-Departure America while not hitting us over the head with that world-building aspect, but the second episode really begins to delve deeper into the hearts and minds of those still remaining.
Chief among these (get it?) is Justin Theroux’s Kevin Garvey. Later episodes of The Leftovers will take pages from the Lost playbook and focus entirely on single characters, and “Penguin One, Us Zero” isn’t exactly one of these. But Kevin is front and center, as he should be, and some key elements of his character come to the surface in this second hour. His relationship with his father (played by Scott Glenn) is also introduced, and that’s an important relationship going forward into the thick of the first season. Most importantly, though: there is a bagel. Yes. On second thought, screw everything else. Let’s talk about that bagel.
Continue reading The Leftovers 1.2 – “Penguin One, Us Zero” →
The Leftovers isn’t easy watching. The premise is a tough one: roughly two percent of the world’s population suddenly vanishes one October day, leaving the other ninety-eight percent to agonize over where they went, why they went, and what the hell actually happened. Three years on, the weight of the uncertainty left in the wake of the event is so fresh that it might have happened just yesterday. Justin Theroux stars as Kevin Garvey, Chief of Police in smalltown Mapleton, New York, and in the pilot episode it’s already clear what kind of devastating effect the disappearance has had on Mapleton and on Kevin.
Damon Lindelof is a major player here, the writer behind such other head-scratchers as Lost and Prometheus, and his stroke is evident in the first hour of Leftovers. This is one reason why the show likely defies those happening upon it as they lounge on the couch and flip through channels until they hit HBO – The Leftovers isn’t at all a casual watch. Lindelof shares creator credit with Tom Perrotta, who wrote and published Leftovers as a novel before turning it to the small screen, and it appears they’ve both adopted the “mystery box” theory posed once by J.J. Abrams. The Leftovers shows us the box, shows the top and bottom and sides and practically makes us beg to see what’s inside it – and Lindelof and Co. are aware that that mystery itself is more compelling than actually opening the box. The main box – containing the answer to the question where did the departed go, and why were they taken? – is the framework for the entire show.
Continue reading The Leftovers 1.1 – “Pilot” →