Though “The Final Country” didn’t pack quite the wallop of last week’s “Hunters in the Dark”, one can mostly chalk that up to the role of a penultimate episode of television in properly setting the stage for a finale. “Hunters” seemingly had a cliffhanger, but in actuality the hour told one of the most self-contained stories in True Detective to date. We saw and understood Tom Purcell’s shift from sobered-up reformee to off-the-wagon vigilante, spurred by an unjust targeting from those he thought were his friends (and by a little eavesdropping at the police station). Tom’s ultimate fate wasn’t necessarily something we knew, but then again the reveal of his dead body in the opening minutes of “Final Country” felt pretty inevitable. If “Hunters” hadn’t been such a closed loop, any remorse over Tom’s death would’ve felt unearned.
The end of “Final Country” was a true cliffhanger, though. The primary question isn’t so much whodunit? anymore, though we do still need specifics regarding how the Hoyt Family, a man named Watts and/or Mister June, Lucy Purcell, Dan O’Brien and Princess Julie all fit together. The primary question now, as 1990 Wayne hops into the car with The Character That Knows the Truth, is how 2015 Wayne could still be so far away from that truth all these years later.
Continue reading True Detective 3.7 – “The Final Country”
Did you finish listening to Serial yet? No? If not, never fear — as beautifully maniacal as it would be to just insert Serial spoilers into random film reviews, there is in fact a higher purpose to my evoking the super-popular This American Life spinoff podcast. That purpose is twofold, and the first is to highly recommend Wesley Morris’s piece “Wrestling With the Truth: The True Crime of Foxcatcher and Serial” over at Grantland. Morris is about as good as it gets these days in film criticism. Also, here is our own, lesser review of Foxcatcher from the New York Film Festival.
The second purpose in bringing up Serial is to talk about movies like William Friedkin’s Rampage. There are a thousand movies like this. There’s a twisted, blood-drinking serial killer named Charles Reece on the loose at Christmas who breaks into people’s homes and kills entire families. He’s caught, eventually, and put on trial to receive the death penalty. The prosecutor, played by Michael Biehn, is a man of high morals. His fight to convict the killer is a fairly personal one, because flashes of his own wife and son keep cropping up in his mind every time he reviews the case at hand. If this sounds a lot like Manhunter, well, that’s because it’s a lot like Manhunter.
Continue reading Rampage (1987)