Hollywood has a thing for remaking anything with John Carpenter’s name on it, even the snoozier stuff like The Fog. It almost never ends well. Whether or not you enjoy early Carpenter fare like Assault on Precinct 13 or Halloween, there’s little doubt that the remakes amount to nothing but unorganized grabastic pieces of amphibian shit. They remade The Thing recently, too, which approaches sacrilege, and they even had the gall to structure the thing (ha!) as a prequel of sorts without bothering to dream up a different title (like Dawn of the Planet of the Thing: Origins). We weren’t fooled: it’s a remake. Just last week a proposed remake of Big Trouble in Little China hit the internet because why the hell not? It’s there, isn’t it? What else are we supposed to do with it? Sit on the couch with Dwayne Johnson right there and everything and just watch it?
The Fog, Carpenter’s first studio feature after the unexpected success of Halloween, might have been one that could have been improved by a remake. The original contains a great deal of evidence as to why Carpenter’s films seem so remakeable, regardless of whatever the reason is that no one can seem to pull it off. 2007’s Halloween completely missed massive aspects of the original that made it good in the first place, as have most other Carpenter re-dos, but with The Fog there wasn’t much to worry about in that arena. The premise is straightforward and the execution in the original leaves much to be desired, based on a few things we’ll touch on here. But lo and behold: they quite literally hired the dude who directed Blank Check to helm the Fog remake, and the update managed to be so many zillion times worse than the already-not-that-great original. Go figure.
Motion State Review 