There’s something about Eddie Redmayne that just crushes your soul. I’m not saying that it’s a bad thing — he’s a beautiful soul-crusher — but man, I feel like every time I sit down to a Redmayne movie, I’m going to leave feeling any one of, or a combination of, three things: 1) uncomfortably mortal, 2) disastrously under-accomplished, or 3) questioning my sexual identity.
The Danish Girl is no exception to this inevitability, though in this case, it is perhaps a bit more of a forced conclusion than in some of Redmayne’s other roles. In fact, all three of these reactions are obviously sought by the end of the film, with the lead dying – “Shit, I’m so mortal!” – the two leads both being successful, talented artists – “Shit, I’m so bad at doing stuff good!” – and of course, the main character transitioning in order to become his true self – “Shit, what even is a ‘true self’?”
However, the real issue I take with this film, aside from the generally predictable feel of the method-acting made-for-Redmayne award-seeking plot, is that it isn’t actually accurate at all to the life of the person it is supposedly based off of, Lili Elbe (Elvenes), and her relationship with Gerda Wegener, played by the stunning and Oscar award-winning Alicia Vikander — but we’ll get to her later.
Continue reading The Danish Girl (2015)
One of the most egregious snubs in the history of the Academy of Motion Picture Arts and Sciences concerns last year’s Best Actor trophy, and no, it has nothing to do with Leonardo DiCaprio. Eddie Redmayne walked away with the Oscar for his turn as Stephen Hawking in The Theory of Everything, and indeed his performance was groundbreaking and heartfelt. But it pales in comparison to the tour de force delivered by Body, the Hungarian star of Kornél Mundruczó’s White God, in his role as the tortured, tragic, life-loving, revenge-seeking, slobber-mouthed Hagen. Due respect to Redmayne, but Body’s performance is simply one of the most emotional and drool-covered performances in years.
As a young actor Body was met with obstacle after obstacle as he tried to make ends meet while pursuing his craft. He auditioned for some of the most iconic roles of our time and even received a callback for The Beast from The Sandlot, but the dude who played Mr. Mertle claimed Body was “impossible to work with” and cited the Hungarian-English language barrier as a primary qualm. He was an extra in Air Bud: Seventh Inning Fetch but soon disowned the film and distanced himself from the creative vision of the entire Air Bud series. Body struggled to be taken seriously as an actor, forced to take work in Iams commercials and as a busboy of sorts in the alley behind an L.A. hotspot.
Continue reading White God (2014)
Eddie Redmayne becomes Stephen Hawking in a rare and exciting way in The Theory of Everything, giving a performance that extends far beyond simply mimicking Hawking’s look. He’s a young actor — currently 33 — but already has a sizable body of film work under his belt, in addition to a Tony Award and an Olivier Award for his work in the play Red alongside Alfred Molina. In short: it’s a good time to be Eddie Redmayne. His success in this role will doubtless launch him onto the international stage, and judging by his next role (a part in Jupiter Ascending, his first big-budget action film) he’s already there.
And yet it’s all he and co-star Felicity Jones can do to drag The Theory of Everything out of the tired, trodden mud in which the film itself is set. To claim outright that a certain biographical film is “boring” isn’t necessarily the equivalent of deeming the life of the subject to be similarly boring, but it’s close enough to warrant a perfunctory disclaimer: Hawking had a life that was anything but boring. Sure, everyone knows that math and science themselves are really incredibly boring — certainly no one is denying that. But Theory can’t even fall back on that, because there’s surprisingly little math or science in the film.
Continue reading The Theory of Everything (2014)