As the Writer’s Guild of America enters a strike in L.A., Motion State stands in solidarity with writers and in support of their proposals for fair wages, rights and benefits for writers’ rooms, restrictions on AI involvement in screenwriting, and more. As if to underscore the importance of the writer, Closing Night at this year’s Independent Film Festival Boston saw the area premiere of Celine Song’s beautifully-written feature debut Past Lives. Song, a WGA member, spoke explicitly in “fierce support” of the strike prior to the screening. But the powerful writing of Past Lives made that point itself, actually, and it’s one of the most surefooted film debuts so far this year.
Na Young is twelve years old when her family immigrates to Canada from Seoul, and her bond with her best friend Hae Sung is effectively broken by the 6,000-mile remove. They connect via Skype years later, after a twenty-something Hae Sung (Teo Yoo) seeks her out following his mandatory military service. But Na Young is now Nora (Greta Lee), living on her own in New York City, and their reconnection is short-lived. Another twelve years pass before the pair are reunited again, but they’re adults now. Nora is married to Arthur (John Magaro), Hae Sung is an engineer, and it’s possible that they’re entirely different people than the pair of young friends who knew each other in Seoul a lifetime ago.
Independent Film Festival Boston
“Deaf culture is too big to represent,” says Sound of Metal writer/director Darius Marder. He obviously refers to being represented in its entirety, something no culture can hope to be endowed with over the course of a short two-hour film. That comment comes from the Q&A tied to the 
Lee Isaac Chung’s Minari follows the Yi Family, a Korean quartet immigrated to the United States in the 1980s. They settle in California at first, but Jacob (Steven Yuen) grows impatient with city life. He’s desirous of an expanse of land to call his own, of a family farm, of that elusive thing people sometimes call the American Dream. So he uproots the family and moves to rural Arkansas, where fifty acres of the best dirt in America await. His wife Monica (Han Ye-ri) is far more pragmatic, and she has trouble envisioning the farm of the future behind the dilapidated mobile home of the present. Meanwhile, their children David and Anne (Alan Kim and Noel Kate Cho) are at first simply along for the ride, fascinated by the fact that they now live in a house that has wheels.
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