Alejandro González Iñárritu wasted no time in putting his ambitions—in the form of non-linear, multidimensional storytelling—on the big screen with his first full-length feature film Amores Perros. The title can be translated two different ways. The literal translation is “Dog Love”, but for those who think that means it is the Spanish version of Must Love Dogs, you will be in for quite a surprise. The second, less literal translation, “Love’s a Bitch”, more aptly captures the essence of the movie, and likely will scare off those hoping for a feel good movie about dogs and John Cusack.
In fact, there are hardly any “feel good” moments in Amores Perros. Rather, the movie focuses on important themes such as the value of companionship, whether it be from family or dogs, and the corruption of this value. Iñárritu achieves the promotion of said themes in an unorthodox but extremely effective manner that involves three seemingly distinct stories told in a fragmented and, at times, non-linear manner. And just to make things even more interesting, Iñárritu opens the film en media res; to be specific, en media of the most important res: the moment that brings the three main stories together.