Are the accents of Ruth Wilson and Dominic West beginning to bother anyone else? There’s no doubt that this is a great actress and a great actor cast nearly-perfectly as a woman and a man who are naïve and innocent in one moment and devilishly devious in the next. Plenty of Brits can handle the American accent with aplomb, and West in particular has had more than enough practice with The Wire’s McNulty and a few other American characters. Wilson is the more frequent offender in this third hour of The Affair, allowing her English English to show itself in her American English, especially in the framing scenes in the interrogation room.
She’s still perfect for Alison, though, as West is perfect for Noah, and though the third episode isn’t as good as the first or second it still moves the story forward into the promise of next week. That’s really the main reason why this show is working so far – the promise of next week. That’s not to say that the individual episodes aren’t doing enough, because they’re certainly far better than most of the drivel on television today. But the story and structure is so twisty-turny that the extended period of theorizing in between episodes is nearly as exciting as the episodes themselves, and that’s a mark of a solid and lasting series.
Continue reading The Affair 1.3
