Halloween might be the most imitated, riffed-upon, winked-at American horror film in history. To say nothing of multiple novels and comic book series starring the serial killer Michael Myers, the film franchise itself now stands at ten installments, of which — you guessed it! — nine are pretty much crap. Judging by the box office landscape of the next few years, it won’t be long before Halloween 11: We Can Out-Sequel Saw hits a theater near you. But outside of the canon there are hundreds of Halloweens, from subtle copies to straight-up rip-offs, especially with the original being the film that most credit as the start of the slasher genre (“what about Hitchcock?!”).
One case-in-point is It Follows, one of the most recent nods to John Carpenter’s first true horror flick (although we sought out the elements of horror in his feature debut Assault on Precinct 13). The similarities are numerous and unmistakable, from the suburban setting to the shot of the classroom to the sense that this thing is stalking only the protagonist with everyone else standing in as collateral damage. That Michael Myers is a thing or an it — certainly not a him — is made clear by his psychiatrist Sam Loomis, and the idea of the human form as a vessel for something more sinister is also at the heart of It Follows. The music by Disasterpeace, too, is just one more obvious piece of evidence of the influence of Halloween in movies like It Follows; go listen to “Playpen” and try not to picture a flickering jack-o’-lantern against a black backdrop.
Motion State Review 