Pixar’s most recent creation, Inside Out, is not a children’s movie as it is advertised to be. The animation and young protagonist, Riley (Kaitlyn Dias), may suggest that the movie is for the ten and under crowd, but it most certainly is a movie that is better suited for an older audience. Now, this is not just a long-winded attempt at justifying the fact that I sat in a theater crowded with six-year olds to see this movie; it is a credit to Pixar for their ability to disguise an emotionally complex and subtly humorous film as a children’s movie. They have wisely used this model several times over, which has led to their vast success. Inside Out, even more so than other Pixar films, is able to not only entertain kids, parents, and everyone in between (or just me in between), but also provide a powerful message about the power and role of emotions.
It is no coincidence that Inside Out is a movie entirely about emotions, mostly centered on Joy (Amy Poehler) and Sadness (Phyllis Smith) because throughout the movie, at least the older portion of the audience goes on a journey of emotion as well, mostly between joy and sadness. As the protagonist Riley tries to adjust to her new life after moving from the comfort of her Minnesota home to San Francisco, we see how she and her emotions (Joy, Sadness, Fear, Anger, and Disgust) handle the transition.