Christopher Nolan has announced his next film will hit theaters in 2017, but that’s all we know. Besides Michael Caine.
Netflix has picked up the fantastic Charlie Brooker series Black Mirror for more original episodes, which is welcome news for those dreading the proposed American remake. For those who’ve yet to see the show, take the first episode with a grain of salt. From the second episode onwards, you’ll be hooked.
Spectre‘s theme song “Writing’s on the Wall” will be theme sung by Sam Smith, the first British male solo artist to do Bond since Thunderball‘s Tom Jones.
The Force Awakens will be opening one day early in the U.K., as if I needed another reason to move to Europe.
Sam Mendes has officially stated that he won’t return for a third Bond outing after Spectre… but by now, of course, we pretty much know to take these sorts of “confirmations” with a grain of salt. Mendes also teased that we might expect the artist of the theme song to be made public sooner rather than later.
Another Accidental Franchise Sam (this one’s Raimi) has given his blessing to Marvel’s high-school approach to the new Spider-Man. So, yeah. Rest easy.
We noted how weird the career of David Gordon Green is in our review ofManglehorn, wherein we also lauded the fact that he’s leaned toward smaller indie-feel projects like Manglehorn and Joe. Now Green will allegedly be directing Stronger, one of the many adaptations concerning the Boston Marathon Bombing, thus remaining one of the most unpredictable directors in Hollywood.
It Follows is now available on Amazon Instant Video and several other platforms, so your excuses for not watching it are really starting to thin out (you know who you are).
Happy End-of-Comic-Con! In lieu of our traditional news posts (which contain, you know, news) and to make up for a missed post this past weekend (was on a bender — duty calls) we’re bringing you a special SDCC-centric news post comprised exclusively of the best trailers from this year’s legendary Con. What’s that you say? This sounds like a lazy way to “write” an article? Well, shit. Aren’t you a perceptive one.
First up are the big ones: amid the onslaught of superhero flicks on display in San Diego, DC Comics properties finally stood out with two impressive trailers. The first is Batman v. Superman: Dawn of Justice:
Our Take Two column offers second opinions and alternative angles on films and TV series reviewed elsewhere on Motion State. Head here for our original review of Inside Out.
The people have spoken. Original, well-written content is what they want, and they want it now! Down with all of these cliched remakes! I speak on everyone’s behalf when I say–what’s that? Ex-squeeze me? Jurassic World, of all movies, is breaking every box office record? Well then.
It’s hard to express how that makes me feel. I could scream and gag and cry and fall into a deep depression. And there’s no movie that can fix me. What’s that? Another off-screen interjection? I should look no further than Inside Out? So there’s hope after all… Continue reading Inside Out (2015): Pixar Goes to Therapy→
Pixar’s most recent creation, Inside Out, is not a children’s movie as it is advertised to be. The animation and young protagonist, Riley (Kaitlyn Dias), may suggest that the movie is for the ten and under crowd, but it most certainly is a movie that is better suited for an older audience. Now, this is not just a long-winded attempt at justifying the fact that I sat in a theater crowded with six-year olds to see this movie; it is a credit to Pixar for their ability to disguise an emotionally complex and subtly humorous film as a children’s movie. They have wisely used this model several times over, which has led to their vast success. Inside Out, even more so than other Pixar films, is able to not only entertain kids, parents, and everyone in between (or just me in between), but also provide a powerful message about the power and role of emotions.
It is no coincidence that Inside Out is a movie entirely about emotions, mostly centered on Joy (Amy Poehler) and Sadness (Phyllis Smith) because throughout the movie, at least the older portion of the audience goes on a journey of emotion as well, mostly between joy and sadness. As the protagonist Riley tries to adjust to her new life after moving from the comfort of her Minnesota home to San Francisco, we see how she and her emotions (Joy, Sadness, Fear, Anger, and Disgust) handle the transition.
EW released a few new pictures from Batman v. Superman: Dawn of Justice, featuring Jesse Eisenberg as a hairy Lex Luthor and Gal Gadot as socialite Diana Prince. Oh, and Batman and Superman.
This weekend is San Diego Comic-Con, and even though some of the usual suspects aren’t participating this year (like Marvel Studios) it’s still going to be a heck of a lot of fun. Unless you’re not attending, of course. Ah, well. You can still sit on your couch and catch glimpses online of Batman v. Superman, Warcraft, Tarantino’s The Hateful Eight and — fingers crossed — Star Wars: The Force Awakens.
Paul Thomas Anderson is rumored to be considering directing a live-action Pinocchio with Robert Downey Jr. attached to star, because nothing else makes sense as a follow-up to the marijuana-fueled Inherent Vice besides a Disney flick.
Hannibal gets cancelled by NBC just as I was starting to watch it. Hopefully Netflix will come to the rescue for this show as it has The Killing and others before it.
Tom Holland was announced as the new Spider-Man earlier this week, and yes, we called it.
Michael Crichton‘s posthumous novel Micro has been co-opted for a feature film adaptation, likely so whoever’s making it can cash in on the success of a certain dinosaur franchise.
The great James Horner passed away earlier this week — few composers, not even Hans Zimmer or Danny Elfman or (dare I say it) the immortal John Williams have a filmography as varied and impressive as Horner. He will surely be missed.
You have to put a lot of effort in if you want to get a perfect score in anything worthwhile, and the reverse is also true: if you want to score a pure 0%, you still have to work pretty damn hard. After forgetting to put your name at the top of the quiz, you basically need to know the right answers to all of the questions in order to then select the wrong answers, which, of course, begs the question as to why you didn’t just shoot for the A+ instead. This would be nearly paradoxical if it wasn’t just a plainly obvious certainty.
A Deadly Adoption is a bit like that, except that the people intentionally flunking the exam are getting paid handsomely to do it and their classmates are zipping around the playground after the period’s over spreading the word about how cool they are. Will Ferrell and Kristen Wiig have been getting pretty good grades so far, but now that the popular table has…aw, f*ck it. Extended metaphors are for the more involved. Besides, we’re talking about passing/failing something worthwhile, which is a thing A Deadly Adoption is absolutely not.
Matt Damon’s return to the Bourne franchise is enticing the rest of the band back, too, as Julia Stiles is now said to be onboard the 2016 release. Viggo Mortensen is apparently in negotiations to play the villain, which is an addition that would no doubt wash the taste of The Bourne Legacy away for good.
First he says he’s down to play Wolverine “until he dies”; then, word that Hugh Jackman’s time as Logan would come to an end after the next solo film. Now rumor has it that X-Men: Apocalypse will feature Jackman in a smallish role, maybe even just a cameo, showing that they haven’t quite learned that X-Men movies sans Jackman aren’t as interesting as the alternative.
Vin Diesel is making a Kojak movie, so. Yep.
Hall H regulars Marvel, Sony and Paramount are all skipping San Diego Comic Con this year, presumably because leaked documents are doing all of their marketing for them. Motion State Review will be skipping Hall H, too, which is yet another crippling loss for convention superfans. Next year.