Christopher Nolan has announced his next film will hit theaters in 2017, but that’s all we know. Besides Michael Caine.
Netflix has picked up the fantastic Charlie Brooker series Black Mirror for more original episodes, which is welcome news for those dreading the proposed American remake. For those who’ve yet to see the show, take the first episode with a grain of salt. From the second episode onwards, you’ll be hooked.
Spectre‘s theme song “Writing’s on the Wall” will be theme sung by Sam Smith, the first British male solo artist to do Bond since Thunderball‘s Tom Jones.
The Force Awakens will be opening one day early in the U.K., as if I needed another reason to move to Europe.
Lots of production at the Rumor Mill this week, including the possibility of Mad Max‘s George Miller taking on directing duty for a future Superman film; there’s the possibility of Jon Hamm playing the villainous Negan in The Walking Dead; and there’s the strange possibility of Star Wars: Rogue One utilizing a CGI version of Peter Cushing’s Grand Moff Tarkin. Likely? Unlikely? Awesome? Weird? Both?
The New York Film Festival slate is shaping up well this year, including as a bit of a surprise Paul Thomas Anderson’s Junjun, a short documentary about Radiohead guitarist and There Will Be Blood composer Jonny Greenwood.
Christian Bale will reportedly play Enzo Ferrari for Public Enemies director Michael Mann, continuing the ill-advised trend of Not Being Batman Anymore.
Motion State turns 1 this week! A special thanks to all of our contributors and readers.
It’s fairly easy to spot a Guy Ritchie flick, and in his most recent movie The Man from U.N.C.L.E. a few of his trademark flourishes find their best use yet. Henry Cavill and Armie Hammer fill the suits first worn by Robert Vaughn and David McCallum in the ’60s television show and globetrot around the Mediterranean attempting to out-spy one another. There are three or four plots going on at once — one’s a crusade to stop a maniacal heiress from obtaining a nuclear weapon, one’s a love story, one’s a hopeful reunification of father and daughter —and so Ritchie’s penchant for hand-holding and retreading ground we’ve already covered is actually quite useful at times.
Mostly, though, the moderately bogged-down plot is just kind of there; the style, the mood, the unending suaveness of the two leads — that’s really what counts in Ritchie’s Man from U.N.C.L.E. There are some slick sequences that don’t make you forget the plot but make you simply not care about it, sequences that lose you, purposefully and gleefully, in the zippy catchiness of it all. There are some slow bits and, again, the retreading of information gets tedious as it does in other habitual instances throughout Ritchie’s filmography. But mostly this movie is all about the flow, and even if the scene-by-scene progression isn’t flawless the pacing within the scenes themselves is fantastic.
The D23 Expo was jam-packed with Disney goodies, primarily from Star Wars properties The Force Awakens and Rogue One. And a Star Wars theme park where I can go sit in a Mos Eisley cantina and listen to Figrin D’an and the Modal Nodes live? Take my money!
Pirates of the Caribbean: Dead Men Tell No Tales officially reinserts Orlando Bloom into the franchise, reminding everyone of the existence of Pirates of the Caribbean: Dead Men Tell No Tales and Orlando Bloom.
A Furiosa spinoff from Mad Max: Fury Road is still on the table, but no word on whether Charlize Theron (who had a hell of a time on the set of Fury Road) would be willing to return. Doesn’t seem worth it without Charlize, does it?
Happy End-of-Comic-Con! In lieu of our traditional news posts (which contain, you know, news) and to make up for a missed post this past weekend (was on a bender — duty calls) we’re bringing you a special SDCC-centric news post comprised exclusively of the best trailers from this year’s legendary Con. What’s that you say? This sounds like a lazy way to “write” an article? Well, shit. Aren’t you a perceptive one.
First up are the big ones: amid the onslaught of superhero flicks on display in San Diego, DC Comics properties finally stood out with two impressive trailers. The first is Batman v. Superman: Dawn of Justice:
-Writers Guild Awards went to The Grand Budapest Hotel (Original Screenplay), The Imitation Game (Adapted Screenplay), True Detective (Drama Series and New Series), Louie (Comedy Series) and Olive Kitteridge (Long Form Adapted).
-The ridiculously stacked 40th Anniversary Special of Saturday Night Live aired last night, and it was a pretty great time. Highlights included Bill Murray’s “Love Theme from Jaws” and Dan Aykroyd stuffing fish into a blender.
-Spider-Man will join the Marvel Cinematic Universe at last, coming in the wake of a deal between Marvel and Sony. The webslinger will have a solo film and could possibly crop up in Captain America: Civil War. The good people at Collider have dutifully summarized Spidey’s history in the Civil War comics, which is worth checking out for a little background info on what may come to pass in the MCU. Better yet: go read the comics.
-Jon Stewart announced his departure from The Daily Show after more than 16 years as host. He’ll be missed.