1993 is very likely the pinnacle of Crichton-ness: Jurassic Park shot the writer to a level of stardom he’d only grazed with the likes of The Andromeda Strain and Westworld, and filmmakers scoured his existing properties for an opportunity to catapult themselves into Spielberg-level notoriety. This needed to happen fast, before anyone else jumped on a Crichton adaptation, but there were essentially only three of his novels that hadn’t yet been adapted. One was Congo, which featured super-smart gorillas, so that wasn’t much of an option (until it was, years later); second was Sphere, a really weird subterranean “imagination adventure” that couldn’t possibly be adapted (until…well, you know); and the third was Rising Sun, a relatively low-key murder mystery masquerading as a cultural economic diatribe (or is it a diatribe masquerading as a murder mystery?) that seemed to provide a perfect mix of commentary and storytelling. For quick kicks, the choice was an obvious one.
And as tends to happen with projects undertaken for such reasons, Rising Sun sadly marks the downward trend in Crichton adaptations sloping sharply away from Jurassic Park. Probably anything would fail to measure up to Park, but the tale of clashes that is Rising Sun failed thoroughly in every arena (except the box office — it rode Park‘s wave to a pretty good domestic haul). TGSC, baby. TGSC.
Continue reading Rising Sun (1993)
-Writers Guild Awards went to The Grand Budapest Hotel (Original Screenplay), The Imitation Game (Adapted Screenplay), True Detective (Drama Series and New Series), Louie (Comedy Series) and Olive Kitteridge (Long Form Adapted).
-The ridiculously stacked 40th Anniversary Special of Saturday Night Live aired last night, and it was a pretty great time. Highlights included Bill Murray’s “Love Theme from Jaws” and Dan Aykroyd stuffing fish into a blender.
-Spider-Man will join the Marvel Cinematic Universe at last, coming in the wake of a deal between Marvel and Sony. The webslinger will have a solo film and could possibly crop up in Captain America: Civil War. The good people at Collider have dutifully summarized Spidey’s history in the Civil War comics, which is worth checking out for a little background info on what may come to pass in the MCU. Better yet: go read the comics.
-Jon Stewart announced his departure from The Daily Show after more than 16 years as host. He’ll be missed.
Continue reading Film & TV News: February 16
Charlie Kaufman’s feature screenplays have only been adapted by four directors. There’s Spike Jonze (Being John Malkovich and Adaptation.), there’s Michel Gondry (Human Nature and Eternal Sunshine of the Spotless Mind), there’s Kaufman himself (Synecdoche, New York and the upcoming Anomalisa). The fourth is none other than George Clooney, who chose the Chuck Barris biopic Confessions of a Dangerous Mind as his directorial debut.
Confessions was a battle of personalities from the start. Kaufman, still a youngish scribe, was already gaining a reputation as a writer very involved with a given film at every stage (up until now that was a point in his favor; stay tuned). Kaufman attracted some big interest, and Bryan Singer was originally attached to direct Johnny Depp in the lead role. Once the two of them moved on it was Clooney who moved into the director’s chair, arguably enjoying the height of Clooneydom following O Brother, Where Art Thou? and Ocean’s Eleven. And the largest personality of them all might be Chuck Barris himself, author of the autobiography Confessions, host of a dozen late-night gameshows, veritable connoisseur of crap TV. Barris claimed he worked as an international CIA assassin on the side while producing television by day, which has never been confirmed or denied but does indeed make for one hell of a story.
Continue reading Confessions of a Dangerous Mind (2002)