Tag Archives: Bill Murray

The Jungle Book (2016)

The Jungle Book (2016)Today is May 11th, 2016, the 132nd day of the year. In those just-over-100 days a small little company called Disney — heard of it? — has made more money than any single company has any earthly right to make. Not since the Dutch East India Trading Company has a multinational firm held such widespread influence. Disney’s always been a successful company, sure, and even if they had fiscal years of lesser oomph they always had sheer name recognition to fall back on. In a bygone era every kid knew about Disney; today, though, we’re headed toward the era where every kid knows only Disney.

If that post-apocalyptic fever dream of a world seems far-fetched, consider how many of the blockbusters busting the block this year were preceded by that little star making an arc over the Magic Kingdom. Zootopia, for example, which is an animated film about talking animals, is currently hovering above the $930 million mark at the global box office. It is already the highest-grossing animated Disney film ever in China, surpassing even the likes of Frozen and The Lion King, and is in general doing work at the box office as few animated films have done before. Ever.

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Groundhog Day (1993)

Isn’t there some rule against repetition in storytelling? Most tales that purposely retread the same ground all over again do so lazily, a conceit allowed either because a concept begs the question (a la time travel tales) or simply because we, the audience, are feared to be too dimwitted to get it. Thus do Guy Ritchie movies and movies like The Illusionist regularly spend the entire climax copy-and-pasting stuff from the first half of the movie, albeit with a little added flair. Yes, we get it, it’s like poetry, they rhyme. Surely Orwell or Strunk and White have some preventative edict concerned with this brand of laziness, no? Surely repetition is the friend of the lazy writer, no?

Anyway, Happy Groundhog Day! Looks like little Phil didn’t see his shadow. Think we’ll be stuck in a time loop, forced to relive today over and over again? I gotta say: it’s 8:28 AM here and I can’t say I’m exactly thrilled with today’s results this far. Still have a ways to go, I know. Maybe starting over would actually be a good thing, though. I’ll be careful what I wish for. I’ll also be careful to remind everyone that this hysterical song is the theme for Groundhog Day:

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Film & TV News: December 6

News

  • Ryan Coogler, the young director behind the surprisingly good Creed and the devastatingly good Fruitvale Station, is apparently in talks to direct Marvel’s Black Panther movie. Is that a good thing or a bad thing? Cooler’s a strong newcomer, so it might be a shame for Marvel to go all Edgar Wright on him.
  • Ethan Hawke will join Clive Owen, Dane DeHaan and Cara Delevingne in Luc Besson’s Valerian, adapted from the epic sci-fi comic. We know next to nothing else about the film, but that’s quite a core cast.
  • Joshua Oppenheimer’s The Look of Silence won the International Documentary Association’s top honors last night, which was a surprise to few after Oppenheimer’s crushing The Act of Killing. Silence is currently on the 15-film contender’s list for this year’s Academy Awards, a list that unfortunately excluded the excellent (and currently streaming on Netflix) documentary The Wolfpack.
  • We’re happy to announce that Motion State is hereby and forthwith declared a Force Awakens spoiler-free zone. If you’re not interested in going to your favorite website and seeing something like “Mark Hamill Breaks His Silence on the Fact that Luke is Evil Now and Also Han Dies” plastered all over the front page, well…get a new favorite website!

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Film & TV News: June 15

News

  • The great Christopher Lee passed away earlier this week at 93. He’ll be remembered for countless roles, for Dracula, for Saruman in Lord of the Rings, for Count Dooku in Star Wars, and for his symphonic metal concept albums (yes).
  • Quentin Tarantino’s The Hateful Eight will be screened in 70mm, meaning theaters near you will either have to outfit their booths with new projectors or decide against screening a Tarantino flick. It’s a great power move by Tarantino, because once major theater chains have that capability alongside their digital projectors it opens the door for more films on actual film.
  • Videosyncrazy, David Fincher’s HBO series about the music video industry in the 1980s, has mysteriously halted production. No word on what the primary issue is, but as Fincher’s the perfect guy for a series like this we really hope the pieces get reassembled soon.
  • Pixar’s The Good Dinosaur, having already completed all of the voice work, has now turned around and completely recast nearly every voice actor. Production on this one has always been rocky, but Pixar’s no stranger to that. As long as it’s not called Cars, we’re safe.

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Film & TV News: February 16

News

-Writers Guild Awards went to The Grand Budapest Hotel (Original Screenplay), The Imitation Game (Adapted Screenplay), True Detective (Drama Series and New Series), Louie (Comedy Series) and Olive Kitteridge (Long Form Adapted).

-The ridiculously stacked 40th Anniversary Special of Saturday Night Live aired last night, and it was a pretty great time. Highlights included Bill Murray’s “Love Theme from Jaws” and Dan Aykroyd stuffing fish into a blender.

-Spider-Man will join the Marvel Cinematic Universe at last, coming in the wake of a deal between Marvel and Sony. The webslinger will have a solo film and could possibly crop up in Captain America: Civil War. The good people at Collider have dutifully summarized Spidey’s history in the Civil War comics, which is worth checking out for a little background info on what may come to pass in the MCU. Better yet: go read the comics.

-Jon Stewart announced his departure from The Daily Show after more than 16 years as host. He’ll be missed.

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