In the climactic finale of Annihilation, there is a moment in which a shape-shifting alien bioclone with burning arms lovingly embraces a charred corpse in a lighthouse that has been struck by a meteor and overtaken by a mutated blight that threatens all life as we know it. Go ahead and read that sentence again if you have to. I dare you to try to come up with something so outlandish, so unsettling, so straight-up weird, much less deploy it at a crucial moment in a multimillion-dollar motion picture production. We live in a time where pretty much every sci-fi film with a budget this size (about $40 million) ends one way: explosions. The scripts all contain the same line: Big CGI Thing bursts into CGI flame. Heck, explosions probably typify the finale of most Hollywood films, sci-fi or otherwise, and the scripts for their inevitable sequels all contain the same line: Bigger CGI Thing bursts into bigger CGI flame.
But Annihilation goes a long way to assuaging the bitterness now associated with what the Hard Sci-Fi genre has threatened to become, and writer/director Alex Garland might just be the beacon of hope in this regard. It was already clear that Garland’s a formidable painter, but it’s still special to see a wider canvas filled with such vibrant colors. His debut directing gig Ex Machina knocked it out of the park (and is in some senses a superior film), but with Annihilation he gets more characters, more locations, more visual effects and more freedom to tell the story his way.
Continue reading Annihilation (2018)
- Inhumans has been unceremoniously yanked from the upcoming Marvel Cinematic Universe slate, which means essentially nothing when all is said and done. Instead of waiting five or six years for the Inhumans movie, we’ll just have to bite the bullet and wait six or seven.
- The 2016 Independent Film Festival Boston begins this week. Stay tuned for reviews of Ben Wheatley’s High-Rise, the delightfully odd-looking Hunt for the Wilderpeople, and many more.
- A drove of new trailers premiered this week, which is great news if you’re a lazy Motion Stater who can’t be bothered to assemble an actual News post. Check out our formidable copy-and-pasting below.
Continue reading Film & TV News: April 24
- Guys: a Deadwood movie. We dare not dwell on this possibility and are currently knocking on every wooden object in the vicinity, but HBO and David Milch have stated that “it’s happening”. Lots of deserving shows bring up the possibility of concluding with a movie, but a Deadwood film just makes perfect sense.
- Lots of TV news this week, as a matter of fact: Steven Soderbergh has revealed a six-year plan for The Knick, Ridley Scott has expressed interest in helming an adaptation of The Prisoner, and Arrested Development will be structuring its fifth season like Making a Murderer. All of those things sound awesome.
- Christopher Nolan’s next film will be Dunkirk, and fellow collaborator Hans Zimmer has already signed on for scoring duties. Tom Hardy’s name has been thrown out for a starring role, but that’s just a rumor at this point.
- Aaron Sorkin will make his directorial debut with Molly’s Game, a true-life tale of a championship skier who turns into a “gambling matron”. If Sorkin can cherrypick from the directors he’s collaborated with recently — David Fincher on The Social Network, Bennet Miller on Moneyball, Danny Boyle on Steve Jobs — then Molly’s Game will be one to watch.
Continue reading Film & TV News: January 10
Hey — it’s Christmas! Let’s go to the movies. Slug some hot chocolate, throw on your wool hat, follow the colored lights strung from tree to tree on the citywide commons to the movie theater or the cinema or the multiplex or whatever you call it in your neck of the woods. I’ll get the tickets, you get the popcorn. What do you want to see? It’s Christmas, remember, so we need something that will encourage our merriment and warm up our capacity for joy. That disqualifies The Revenant. What about Star Wars for the fifth time? What do you mean you saw it again this morning? Why didn’t you invite me? Whatever, just go get the popcorn.
Here we go: a new Tarantino movie. One would think that a brand spankin’ new flick from Tarantino would, if nothing else, be entertaining. It’s Tarantino. This is the diabolical purveyor of histrionic, action-packed jaunts that bleed style and ooze cool, of movies that have banging soundtracks and automatically generate an Academy Award for Christoph Waltz. This is the director that champions violence in film as fun, responding to the masses that claim violence in film is a potentially toxic influence on viewers with a beautifully composed shot of red blood spewing out of a newly-severed neck. Take that! The violence-is-bad point always reminds me of part of the testimony of famed censorship bogeyman William Gaines during the 1954 hearings on the validity of the violent comic books he produced: “Do we think our children are so evil, so simpleminded, that it takes a story of murder to set them to murder, a story of robbery to set them to robbery?” I picture Tarantino saying that, only with a lot more gesticulation and overeagerness and a lot of “alright, you know, okay?” and a lot of averted glances.
Continue reading The Hateful Eight (2015)
- The latest Force Awakens box office numbers put the Star Wars episode at $610.8 million, blasting past previous record-holders in pretty much every category. Avatar‘s global box-office haul is certainly in sight. More importantly, The Force Awakens is a pretty fantastic movie.
- Speaking of Avatar, James Cameron has made a series of optimistic-sounding comments about the future of the franchise and the release of the first sequel around Christmas 2017. Cameron is planning a trilogy of sequels and is taking his time developing the world of Pandora, which in my book is a good thing.
- Inherent Vice‘s Katherine Waterston will lead Ridley Scott’s Prometheus sequel Alien: Covenant, which will reportedly bring back Michael Fassbender’s android David and potentially Noomi Rapace’s Shaw as well. Here’s hoping the writing is more akin to the sparse Alien than to the convoluted Prometheus.
Continue reading Film & TV News: December 23
- Both the New York Film Festival and the New York Comic Con concluded this weekend. From the former, I’d like to give a sarcastic shout-out to the idiot who talks through the Closing Night premiere and is inevitably seated right next to me; from the latter, I’d like to give an actual shout-out to the girl dressed as Harley Quinn that I saw zipping through Grand Central. Nice mallet.
- Quentin Tarantino is cutting two versions of The Hateful Eight (rather than, you know, eight versions), one for 70mm and one for the rest of the peons to check out in digital. I really cannot for the life of me think of a good reason for this, other than because he’s Tarantino.
- Jeff Goldblum, Bryan Cranston, Bob Balaban and Edward Norton will be voicing a pack of dogs for Wes Anderson’s next stop-motion animation film. Even if you’re not a huge Wes fan, that’s a pretty top-tier voice cast.
Continue reading Film & TV News: October 13
- The D23 Expo was jam-packed with Disney goodies, primarily from Star Wars properties The Force Awakens and Rogue One. And a Star Wars theme park where I can go sit in a Mos Eisley cantina and listen to Figrin D’an and the Modal Nodes live? Take my money!
- Pirates of the Caribbean: Dead Men Tell No Tales officially reinserts Orlando Bloom into the franchise, reminding everyone of the existence of Pirates of the Caribbean: Dead Men Tell No Tales and Orlando Bloom.
- A Furiosa spinoff from Mad Max: Fury Road is still on the table, but no word on whether Charlize Theron (who had a hell of a time on the set of Fury Road) would be willing to return. Doesn’t seem worth it without Charlize, does it?
Continue reading Film & TV News: August 17
- EW released a few new pictures from Batman v. Superman: Dawn of Justice, featuring Jesse Eisenberg as a hairy Lex Luthor and Gal Gadot as socialite Diana Prince. Oh, and Batman and Superman.
- This weekend is San Diego Comic-Con, and even though some of the usual suspects aren’t participating this year (like Marvel Studios) it’s still going to be a heck of a lot of fun. Unless you’re not attending, of course. Ah, well. You can still sit on your couch and catch glimpses online of Batman v. Superman, Warcraft, Tarantino’s The Hateful Eight and — fingers crossed — Star Wars: The Force Awakens.
- Paul Thomas Anderson is rumored to be considering directing a live-action Pinocchio with Robert Downey Jr. attached to star, because nothing else makes sense as a follow-up to the marijuana-fueled Inherent Vice besides a Disney flick.
Continue reading Film & TV News: July 5
- The great Christopher Lee passed away earlier this week at 93. He’ll be remembered for countless roles, for Dracula, for Saruman in Lord of the Rings, for Count Dooku in Star Wars, and for his symphonic metal concept albums (yes).
- Quentin Tarantino’s The Hateful Eight will be screened in 70mm, meaning theaters near you will either have to outfit their booths with new projectors or decide against screening a Tarantino flick. It’s a great power move by Tarantino, because once major theater chains have that capability alongside their digital projectors it opens the door for more films on actual film.
- Videosyncrazy, David Fincher’s HBO series about the music video industry in the 1980s, has mysteriously halted production. No word on what the primary issue is, but as Fincher’s the perfect guy for a series like this we really hope the pieces get reassembled soon.
- Pixar’s The Good Dinosaur, having already completed all of the voice work, has now turned around and completely recast nearly every voice actor. Production on this one has always been rocky, but Pixar’s no stranger to that. As long as it’s not called Cars, we’re safe.
Continue reading Film & TV News: June 15