Tag Archives: Miles Ahead

Film & TV News: April 24

News

  • Inhumans has been unceremoniously yanked from the upcoming Marvel Cinematic Universe slate, which means essentially nothing when all is said and done. Instead of waiting five or six years for the Inhumans movie, we’ll just have to bite the bullet and wait six or seven.
  • The 2016 Independent Film Festival Boston begins this week. Stay tuned for reviews of Ben Wheatley’s High-Rise, the delightfully odd-looking Hunt for the Wilderpeople, and many more.
  • A drove of new trailers premiered this week, which is great news if you’re a lazy Motion Stater who can’t be bothered to assemble an actual News post. Check out our formidable copy-and-pasting below.

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Film & TV News: February 5

News

  • By now you’ve heard that Joseph Fiennes has been cast as Michael Jackson in a series that is ostensibly both a comedy and about 9/11. In other news, Michael Cera will be playing Audrey Hepburn and Dakota Fanning has been cast as Gary Coleman. Samuel L. Jackson will meanwhile take on the role of everyone else in everything ever.
  • On the other end of the “gee, didn’t see that one coming” spectrum is a futuristic, gritty reboot of Zorro titled simply Z. Yes, really. The saving grace could be in the form of Jonas Cuaron as director, who will give us something special if he’s learned anything from his father Alfonso.
  • In the ever-expanding world of superhero adaptations, The Flash is set to cross over with Supergirl a few weeks from now, kinda-sorta-possibly bringing Kara Zor-El into the Arrow-verse. Who should play Batman in the Dark Knight’s inevitable appearance? How about Joseph Fiennes?

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Steve Jobs (2015)

97% of Steve Jobs is nearly perfect. Much like the products borne of the man’s unparalleled creative vision, everything in his latest biographical film is optimized, streamlined, rounded when the edge should be rounded, sharp when the edge should be sharp, forward-thinking, life-changing, and pitched to be perfect. The performances are subtle and explosive, depending on which character you’re dealing with. The drama is heavy-duty; the comedy is excitingly witty. The pacing of the whole film is breathless. And the writing — whew, the writing — Aaron Sorkin has probably never been this good or done this much with a film script. This is ostensibly The Social Network 2.0, a story about a genius/jerk who defined the times for the rest of us, except Steve Jobs has a richer character in the driver’s seat.

And in comparing the two, that leftover 3% only becomes all the more glaring. The structure of the film is unique, built over three days in history: the launch of the Macintosh in 1984, the launch of the NeXT computer in 1988, and the launch of the iMac in 1998. The aforementioned breathlessness of the film is derived from setting each episode immediately before these launches, as that’s probably the most stressful and nerve-wracking collection of hours in any product launcher’s life. No different in Steve Jobs. Jobs needs everything to be perfect, every address to start exactly on time, every personal grievance from his staff and family (of which there are many, and between which the words staff and family mean less and less) to be voiced and dealt with. “It seems like five minutes before every launch, people go to a bar and get drunk and decide to air their grievances,” says Jobs.

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Film & TV News: October 13

News

  • Both the New York Film Festival and the New York Comic Con concluded this weekend. From the former, I’d like to give a sarcastic shout-out to the idiot who talks through the Closing Night premiere and is inevitably seated right next to me; from the latter, I’d like to give an actual shout-out to the girl dressed as Harley Quinn that I saw zipping through Grand Central. Nice mallet.
  • Quentin Tarantino is cutting two versions of The Hateful Eight (rather than, you know, eight versions), one for 70mm and one for the rest of the peons to check out in digital. I really cannot for the life of me think of a good reason for this, other than because he’s Tarantino.
  • Jeff Goldblum, Bryan Cranston, Bob Balaban and Edward Norton will be voicing a pack of dogs for Wes Anderson’s next stop-motion animation film. Even if you’re not a huge Wes fan, that’s a pretty top-tier voice cast.

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Miles Ahead (2015)

The 53rd New York Film Festival came to a close Saturday night with the world premiere of Miles Ahead, Don Cheadle’s longtime passion project about the late great Miles Davis. An actor of Cheadle’s caliber attached so fully to a single film might be a rarity, and in this case it’s the lead role, the directing, and the writing that all fall in the man’s wheelhouse…and he co-produced and wrote original music for the film. And he was in Avengers: Age of Ultron just a few months back.

Interestingly, the similarities between the vigilante War Machine and the musician Miles Davis make it evident what Cheadle saw in both charac…just kidding. Miles Ahead is the best thing Cheadle’s done since Hotel Rwanda, or at the very least the most substantial role since then, and thus an overdue reminder that Cheadle is a fantastically likable leading man. He’s likable even when he’s playing Davis at his lowest point, a five-year creative drought fueled by cocaine and loneliness that makes up the majority of Miles Ahead, and through all the stubbornness and figurative horn-tooting (sorry) Cheadle still conveys the fact that Davis was overflowing with passion for his art. It’s fitting that the actor, who took eight years to craft Miles, matches the musician in passion for his own art.

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Film & TV News: September 16

News

  • The Toronto International Film Festival continues to champion small, independent art-house efforts while the vast majority of us sit back and continue to pretend to care. Meanwhile, the King Kong and Godzilla franchises are merging.
  • In other festival news, the 53rd New York Film Festival kicks off in just over a week. Check out the teaser for the festival below, and be sure to check back in our Event Series archive for reviews of Miles Ahead, The Measure of a Man, a special screening of O Brother, Where Art Thou? and many more.
  • War of the Planet of the Apes has cast Woody Harrelson as the primary villain, which is much more exciting after you’ve seen Harrelson’s twisted turn in Out of the Furnace.
  • Oliver Stone’s Snowden has been pushed to 2016 because of a leak or something.

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