Tag Archives: The X-Files

Deadwood (2019)

It’d be tough to think about the Deadwood film as that alone, a mere two-hour tour through a corruption-riddled mining town in the waning days of the 19th century. The movie exists very much as a long-awaited finale for the Deadwood series, which was unceremoniously canceled after three seasons at HBO more than a decade ago. To enjoy the film without the context of the show is possible, probably, but it’d also be akin to starting in on the last episode of a television series. It’d be equally tough to refrain from using the f-word multiple times while writing about Deadwood, so consider this a spoiler warning for both series and film and a graphic language warning to fucking boot.

In the ever-expanding slew of reboots and revivals intent on wringing out every droplet of goodwill you might have once had for an old TV show — take Twilight Zone, X-Files, Twin Peaks, the upcoming Amazing Stories or, sure, fine, fucking Roseanne — it’s possible that Deadwood fares well out of necessity, plain and simple. The show never had an ending and the movie gives it an ending. Few truly wanted more Zone, more Files, more Peaks; not a fucking soul wanted more Roseanne, except for maybe the refined Ms. Barr herself. But the clamor for more Deadwood has really only intensified since that fateful cancellation in 2006. Fan-driven revivals aren’t guaranteed to turn out well (see: Anchorman 2) but if you have to watch your favorite characters get dragged out for one last ride, squeezed into their old costumes, it’s more comforting to think you’ve dragged them out yourself for good purpose.

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Better Call Saul 2.2 – “Cobbler”

There’s nothing quite like a good ol’-fashioned Hoboken Squat Cobbler, amirite? You know what I’m talking about. A Full Moon Moon Pie. Seriously! Would I make this up?

If Bob Odenkirk isn’t TV’s Best Funnyman then he’s certainly #2, right behind the unstoppably hysterical Louis C.K. or the endlessly quippy Stephen Colbert. Odenkirk’s advantage is that few comedians are a part of something as brilliant as Better Call Saul, and “Cobbler” might be a microcosm of the entire series in terms of tone and humor/drama balance. The season opener “Switch” was great, pulling back for some breathing room after the comparatively cataclysmic events of “Pimento” and “Marco” and allowing Jimmy some Me Time to reflect on his epic sibling rivalry with Chuck. We didn’t see Chuck or Mike (aside from the in-episode recap of the ending of “Marco”) and it was a refreshing change of pace.

Happily, bringing those characters back in full didn’t shake up the feeling of changing pace, nor did it feel as if those characters are anything but vital to Better Call Saul. Saul is definitely a true blood brother to Breaking Bad in the sense that a minor-seeming character like Pryce or Gale Boetticher can become a crucial piece of the whole puzzle, but the heart and soul reside in the core cast. “Cobbler” felt more like a return to greatness than “Switch” because that core was out in full force.

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Film & TV News: February 5

News

  • By now you’ve heard that Joseph Fiennes has been cast as Michael Jackson in a series that is ostensibly both a comedy and about 9/11. In other news, Michael Cera will be playing Audrey Hepburn and Dakota Fanning has been cast as Gary Coleman. Samuel L. Jackson will meanwhile take on the role of everyone else in everything ever.
  • On the other end of the “gee, didn’t see that one coming” spectrum is a futuristic, gritty reboot of Zorro titled simply Z. Yes, really. The saving grace could be in the form of Jonas Cuaron as director, who will give us something special if he’s learned anything from his father Alfonso.
  • In the ever-expanding world of superhero adaptations, The Flash is set to cross over with Supergirl a few weeks from now, kinda-sorta-possibly bringing Kara Zor-El into the Arrow-verse. Who should play Batman in the Dark Knight’s inevitable appearance? How about Joseph Fiennes?

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Film & TV News: June 7

News

  • The limited revival of The X-Files begins shooting this coming week. A strange casting announcement came in the form of Joel McHale, who will apparently be playing a popular news anchor in a guest role. I’m a fan of X-Files and I’m a fan of McHale, but I’m finding it hard to imagine how they’d taste in the same recipe.
  • Stephen King’s The Stand is set for an eight-part miniseries at Showtime followed by a feature film, which at this point is really only dredging up the heretofore-repressed memory of the abysmal 1994 Molly Ringwald version. Thanks, Showtime!
  • The second season of Daredevil is allegedly courting Jason Statham for the role of the assassin Bullseye, which is one of the most perfect comic book casting rumors I’ve heard in a while.
  • Speaking of comic book films, James Wan has been officially announced as the director for DC’s Aquaman.

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Better Call Saul 1.9 – “Pimento”

Sometimes we don’t get to dive into each individual episode of Better Call Saul as deeply as we’d like. We have busy lives! Important things to do! Climb that mountain! Finish that novel! Make that bed! Drink that beer! Eat those chips! If there’s anything to knock routine by the wayside and demand our full attention, though, it’s Saul‘s ninth hour “Pimento”, the penultimate episode of the first season. The mountain and the novel and the unmade bed will have to wait (the beer and chips are right here, because multitasking); in this review we aim to pick apart the incredibly dense “Pimento” and put it all back together again.

First up: some self-congratulatory horn-tooting for kinda sorta predicting the big reveal of “Pimento” in our review of the previous episode “RICO“. We’ll save our discussion of that until after the jump for the sake of spoilers, but for now let it be sufficient to state that our reputation precedes us, that we have no equal on this earth, that the tales and songs fall utterly short of our enormity. Gaze upon our magnificence. We are fire. We are death.

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Film & TV News: March 23

News

  • David Lynch stated that season 3 of Twin Peaks may still be “up in the air” despite some series regulars already signing on. We wait with bated breath.
  • Meanwhile, The X-Files‘ limited season seems to be getting closer to a green light at Fox. Don’t expect any more than ten episodes, though, since David Duchovny claims everyone is “too old.” I think Gillian Anderson would beg to differ!
  • Bridge of Spies will be the first of 27 Steven Spielberg films not to feature a John Williams score. This time the honor goes to Thomas Newman, though Williams will return for The BFG.
  • Annapurna Pictures, champion of compelling artistic cinema, has filled out Ana Lily Armipour’s mysterious The Bad Batch with some fascinating names: Keanu Reeves, Jim Carrey, Jason Momoa, and Diego Luna.

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