There’s nothing quite like a good ol’-fashioned Hoboken Squat Cobbler, amirite? You know what I’m talking about. A Full Moon Moon Pie. Seriously! Would I make this up?
If Bob Odenkirk isn’t TV’s Best Funnyman then he’s certainly #2, right behind the unstoppably hysterical Louis C.K. or the endlessly quippy Stephen Colbert. Odenkirk’s advantage is that few comedians are a part of something as brilliant as Better Call Saul, and “Cobbler” might be a microcosm of the entire series in terms of tone and humor/drama balance. The season opener “Switch” was great, pulling back for some breathing room after the comparatively cataclysmic events of “Pimento” and “Marco” and allowing Jimmy some Me Time to reflect on his epic sibling rivalry with Chuck. We didn’t see Chuck or Mike (aside from the in-episode recap of the ending of “Marco”) and it was a refreshing change of pace.
Happily, bringing those characters back in full didn’t shake up the feeling of changing pace, nor did it feel as if those characters are anything but vital to Better Call Saul. Saul is definitely a true blood brother to Breaking Bad in the sense that a minor-seeming character like Pryce or Gale Boetticher can become a crucial piece of the whole puzzle, but the heart and soul reside in the core cast. “Cobbler” felt more like a return to greatness than “Switch” because that core was out in full force.
Continue reading Better Call Saul 2.2 – “Cobbler” →
We’ve all been there before: it’s Christmas Eve and you’ve just been released from jail to discover your pimp has been cheating on you so you flip out and hunt him down. It’s a pretty universal conundrum. That was what Pilgrim’s Progress was about, right? Or doesn’t Plato have some allegorical yarn about emerging from a darkened prison, reaching upward toward the light, finally beginning to perceive the true form of reality, and then bitch-slapping your pimp? The Parable of the Donut Shop, I think. Basic universal plots like Rags to Riches, Voyage and Return, The Quest, and Christmas Eve Pimp Hunting have a certain inherent comfort to them because we’ve all been there before.
Tangerine is fresh, though, even if you somehow don’t have a real-life parallel to the above scenario. I’d love to tell you that the freshest thing about it is the story, and admittedly broad aspects of it are rare in modern multiplexes. The primary cast members are transgender and transsexual individuals, led by Kitana Kiki Rodriguez (as Sin-Dee Rella, the newly-freed pimp-hunter) and Mya Taylor (as Alexandra, the Sundance Kid to Sin-Dee’s Butch Cassidy); the film is rounded out by Karren Karagulian’s Razmik, a cabbie with a penchant for rolling the streets where working girls Sin-Dee and Alexandra “ply their trade”. These aren’t your typical heroes, and that sentiment has little to do with their sexuality or gender. These people are the kinds of people that mothers-in-law everywhere are disgusted by, because the activities they engage in seem supremely self-serving, petty, deviant, etc. Indeed, Razmik’s mother-in-law makes all of this explicit when she shows up and harshly disapproves of what she sees.
Continue reading Tangerine (2015) →
- Stephen Colbert and J.J. Abrams turned out in force (get it?) this past Saturday for the Montclair Film Festival kickoff fundraiser and buddy-buddy interview. Highlights included an audience prizewinner bluntly inquiring as to how many Ewoks J.J. could take in a fight, Colbert springing J.J.’s acting reel from Six Degrees of Separation on him, and the pair peering up into the fourth tier where I was seated and making remarks like “you’re in low orbit” and “my neck hurts”.
- Kenneth Branagh will be directing and starring in the long-in-the-works Murder on the Orient Express remake, which hopefully will be so many zillion times better than Shadow Recruit.
- Ready to feel old? Toy Story turned 20 years old yesterday. Yep. Thankfully, if you want to feel young again, you can just rewatch Toy Story.
Continue reading Film & TV News: November 23 →