- The latest Force Awakens box office numbers put the Star Wars episode at $610.8 million, blasting past previous record-holders in pretty much every category. Avatar‘s global box-office haul is certainly in sight. More importantly, The Force Awakens is a pretty fantastic movie.
- Speaking of Avatar, James Cameron has made a series of optimistic-sounding comments about the future of the franchise and the release of the first sequel around Christmas 2017. Cameron is planning a trilogy of sequels and is taking his time developing the world of Pandora, which in my book is a good thing.
- Inherent Vice‘s Katherine Waterston will lead Ridley Scott’s Prometheus sequel Alien: Covenant, which will reportedly bring back Michael Fassbender’s android David and potentially Noomi Rapace’s Shaw as well. Here’s hoping the writing is more akin to the sparse Alien than to the convoluted Prometheus.
Continue reading Film & TV News: December 23
- Idris Elba is rumored to be circling the role of Roland Deschain’s Gunslinger in the long-stewing adaptation of Stephen King’s The Dark Tower series. This is good news for fans of both Elba and King, as Tower will inevitably turn into a massive franchise.
- Another casting rumor is swirling around the inclusion of Kurt Russell in Guardians of the Galaxy Vol. 2, which would be the latest in a string of casting coups for Marvel if proved true. Who would he play? Star Lord’s daddy?
- Yet another cinematic universe in the works: G.I. Joe will lead the Micronauts, Visionaries, M.A.S.K. and ROM into battle, and before you know it you’ll actually have some idea what any of those things are. Thanks, Hasbro!
Continue reading Film & TV News: December 16
I’m really surprised there are no movies called The Penultimate Hour. It’s a decent title in a James Patterson sort of way, or in a Van Damme sort of way. The closest thing might be Philip K. Dick’s novel The Penultimate Truth, or the 2007 documentary on the author called The Penultimate Truth About Philip K. Dick. Those are great titles. There are a few movies called The 11th Hour — and funnily enough, there is James Patterson book by that title — and I suppose that means the same thing. “Eleven” doesn’t carry the same force as “penultimate”, though, does it?
The only thing any of this has to do with The Red Road is that “The Hatching” is the penultimate episode of season two, the literal penultimate hour, and that’s generally the hour in which…well, what happens in the penultimate episode of a season? It used to be the case that season finales were tantamount to a bunch of awesome stuff, meaning the previous episode was usually spent getting everything set up for the fireworks. That’s changed recently. Game of Thrones made a casual tradition of having the ninth episode of each season (the penultimate of each in the case of Game‘s 10-episode seasons) be far more action-packed than the ensuing finales. Breaking Bad‘s “Ozymandias” delivered finale-level intensity with two episodes still to follow, and Better Call Saul‘s penultimate hour “Pimento” was likewise the season’s best.
Continue reading The Red Road 2.5 – “The Hatching”
Though True Detective devoured nearly all of last year’s television glory, the SundanceTV series The Red Road deserves mention in the same breath. Massively overlooked but strong enough to be renewed for a second season (which premieres April 2015), the show centers on a small New Jersey town in the foothills of the Ramapo Mountains. Decades of rough history between the town locals and the Lenape Native American tribe begins to flare up again, and two men — Officer Harold Jensen (Martin Henderson) and ex-convict Phillip Kopus (Jason Momoa) — become wrapped up in the middle.
Created by Aaron Guzikowski (writer of Prisoners), The Red Road brings that rough history into the present in a way that few series dare. At times it’s made explicit, especially in scenes recounting the death of Harold’s brother-in-law as members of the Lenape tribe (maybe even Kopus himself) stood by. Those scenes are compelling, but it’s the mysterious, unseen aura of Us vs. Them that really gives The Red Road serious clout, vibing uneasily in every sequence. Is it racism? Or is it simpler, illogical and obdurate hatred, free of any and all motivation, free as a virus in the mountainside community?
Continue reading The Red Road 1.1 – “Arise My Love, Shake Off This Dream”
Showtime has always been between Starz and HBO with regards to original series programming, creating a great many more memorable series than the former but never quite reaching the consistent quality heights of the latter. Dexter, Weeds, and Californication are arguably Showtime’s most successful efforts alongside the historical dramas Tudors and Borgias, all of which are good shows worth watching. The premium channel’s sudden jettisoning of all of their “adult programming” series by 2010 might further evidence their desire to be seen more like an HBO than just a cheap knockoff, or maybe they just realized that nobody watches scripted softcore porn shows.
While The Affair might not exactly herald an Age of Showtime, it’s certainly a step in the right direction. The first hour is split down the middle in order to separately follow both Noah and Alison, both recounting the day they first met at a summertime getaway. We meet Noah, played by Dominic West, as he and his family get ready for their summer. They fight, as any family does, but they’re happy. Noah and his wife roll their eyes as their kids do kid things. They reach their destination and meet Ruth Wilson’s Alison, a waitress at the little diner, and when Noah’s daughter starts choking Alison stands by helplessly and later bursts into tears as Noah thanks her for the lunch. One thing leads to another and it’s clear that Alison is a whole lot more reckless than Noah.
Continue reading The Affair 1.1