Tag Archives: Independence Day: Resurgence

Blade Runner 2049 (2017)

One of the previews that screened before last night’s Boston premiere of Blade Runner 2049 was for next year’s monsters vs. robots actioner Pacific Rim Uprising, an inevitable if somewhat tardy sequel to Guillermo del Toro’s 2013 original. Based solely on this trailer, it’s evident that Uprising centers on the son of the first film’s protagonist, alludes heavily to that first film, and possibly just revamps the plot with slightly louder explosions. I was reminded, regrettably, of Independence Day: Resurgence, which gave off a similar reek of franchise desperation.

And of course this was the general fear heading into 2049. It’s been 35 years since Blade Runner established a visual and tonal format for scores of futuristic noirs to come (Dark City, Gattaca, Strange DaysAutomata, more), and this is apparently long enough to give up on counterfeiting and make it explicit: time for another Blade Runner. In 2049 we have K (Ryan Gosling), our new replicant-hunting LAPD hero-hunk, leading us through the same streets Rick Deckard (Harrison Ford) traversed back in 1982. There is a new mystery at hand, yes, but there is also heavy allusion to the beloved original disseminated through visual cues, recycled dialogue, occasional cameos and, as is par for the course these days, a victory lap for Ford.

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Underworld: Rise of the Lycans (2009)

When there’s a vampire around, odds are a werewolf isn’t far away. In the last couple decades movies concerned with the bloodsucking creatures of the night — Twilight, Van Helsing, even What We Do in the Shadows — seem inevitably concerned also with slightly hairier, howlier creatures. They’re never equally concerned with werewolves, though, casting them consistently in cameos for pure shock value, and so the conceit of the third Underworld film Rise of the Lycans is a smart one: give the werewolves their due.

The result is by no means a good movie, unless you’re somehow enraptured by the Underworld series. If you’re not, then you might refer to Rise of the Lycans as The One Without Kate Beckinsale, which is a large part of the film’s undoing in the same way the new Independence Day could essentially be subtitled The One Without Will Smith. The bitch of it all is that Michael Sheen, starring as head were-dude Lucian, is a far better actor than Beckinsale will likely ever be. He’s a Shakespearian tragedian, she’s an action hero. Underworld, of course, actually needs the latter, and sadly Michael Sheen just isn’t an action hero. His head’s too big. He’s got the biceps, sure, but everyone has the biceps these days. Have you guys seen Jonathan Lipnicki lately? Sheen is somehow more naturally proportional in his werewolf form than as a regular human. Maybe they should have CGI’d his forehead down.

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Film & TV News: December 16


  • Idris Elba is rumored to be circling the role of Roland Deschain’s Gunslinger in the long-stewing adaptation of Stephen King’s The Dark Tower series. This is good news for fans of both Elba and King, as Tower will inevitably turn into a massive franchise.
  • Another casting rumor is swirling around the inclusion of Kurt Russell in Guardians of the Galaxy Vol. 2, which would be the latest in a string of casting coups for Marvel if proved true. Who would he play? Star Lord’s daddy?
  • Yet another cinematic universe in the works: G.I. Joe will lead the Micronauts, Visionaries, M.A.S.K. and ROM into battle, and before you know it you’ll actually have some idea what any of those things are. Thanks, Hasbro!

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