One of the previews that screened before last night’s Boston premiere of Blade Runner 2049 was for next year’s monsters vs. robots actioner Pacific Rim Uprising, an inevitable if somewhat tardy sequel to Guillermo del Toro’s 2013 original. Based solely on this trailer, it’s evident that Uprising centers on the son of the first film’s protagonist, alludes heavily to that first film, and possibly just revamps the plot with slightly louder explosions. I was reminded, regrettably, of Independence Day: Resurgence, which gave off a similar reek of franchise desperation.
- The bad guy is back: Empire has released a few new pictures from next year’s Suicide Squad featuring Jared Leto’s Joker. Just in time for Halloween!
- SNL is set to be hosted by Matthew McConaughey for the first time in over a decade, and Adele will be the musical guest. That might just be enough for me to actually tune into SNL again.
- Sherlock: The Abominable Bride, the highly-anticipated Christmas Special and return of the BBC show, will air on both sides of the Atlantic on January 1st, 2016.
- Even if you haven’t seen Crimson Peak yet, this conversation between director Guillermo del Toro and fellow directors Christopher Nolan and Alejandro González Iñárritu is highly recommended.
Happy End-of-Comic-Con! In lieu of our traditional news posts (which contain, you know, news) and to make up for a missed post this past weekend (was on a bender — duty calls) we’re bringing you a special SDCC-centric news post comprised exclusively of the best trailers from this year’s legendary Con. What’s that you say? This sounds like a lazy way to “write” an article? Well, shit. Aren’t you a perceptive one.
First up are the big ones: amid the onslaught of superhero flicks on display in San Diego, DC Comics properties finally stood out with two impressive trailers. The first is Batman v. Superman: Dawn of Justice:
Matt: Remember the Titans director Boaz Yakin got his start with Fresh, a 1994 film about a 12-year-old drug dealer caught in a bad cycle with bad people. Young Fresh is a quiet kid living in a loud world. The housing project where his family lives is packed with people, and out on the street it seems sex and violence won’t leave him alone either. There’s a realness to Fresh that you don’t often see in coming-of-age tales, an earnestness that makes the movie seem less like the idealistic Titans and more like a David Gordon Green film. Fresh’s escape from the prostitutes, dealers and gangster-wannabes comes in the form of his estranged father (Samuel L. Jackson), who plays chess with Fresh every week. Sean Nelson, the 13-year-old kid who plays Fresh, turns in some amazing scenes with the veteran Jackson; their relationship is the core of the film, though the rest of that noise keeps encroaching on their meditative matches. As a whole, the blend of real-world urgency and sincere emotion makes Fresh compelling, distinctive and — sorry — refreshing.
- It’s Marvel Week here at Motion State! In preparation for Avengers: Age of Ultron, we’ll be giving the comic book movie giant more attention than it
- Daniel Bruhl confirmed this morning that he’ll be playing Baron Zemo in the upcoming Captain America: Civil War, a film which is rightly being dubbed Avengers 2.5 due to the burgeoning cast.
- The shortlist for the new, younger, quippier, Marvelier (more Marvelous?) Spider-Man includes Tom Holland, Timothee Chalamet, Asa Buterfield, Nat Wolff, and Liam James. Our pick is Holland, but we likely won’t have to wait long for the official announcement.
- David Ayer released the first picture of Jared Leto’s nu-punk Joker from next year’s Suicide Squad film. Our humble opinion on the look is…sorry, what? Squad is a DC film, not Marvel, you say? You can’t defile Marvel Week so willingly, you say? Fair enough. Thankfully, the other 51 weeks of the year are pretty much DC Weeks.
Penny Marshall’s Awakenings is most superficially compared to Barry Levinson’s Rain Man for a few understandable reasons, not least of which being the two films feature a famous lead actor playing a character with a severe medical affliction. The two films also came out within two years of each other, and some may suspect Rain Man‘s success to have influenced Awakenings.
Starring Robin Williams as Dr. Malcolm Sayer (an analogue for real-life Dr. Oliver Sacks, whose memoir provided the basis for Awakenings) and Robert De Niro as mostly-catatonic patient Leonard, the film follows both men as they experience a breakthrough with regards to Leonard’s condition. Sayer’s intuition leads to the application of a new drug which brings Leonard and other patients of the ward out of catatonia and into a clearer existence, “awakened” to the world. The continued treatment of Leonard proves a heartbreaking experience for Dr. Sayer.