In our original review of Knives Out, we lauded Rian Johnson’s ability to craft a film with a thematic message that mattered for the story but didn’t eclipse the pure, whimsical fun of the whodunnit. It was never a given that Knives would get a sequel, much less a trilogy (Netflix ordered the second and third films shortly after the success of the first). But here we are: Glass Onion hit theaters for a limited run last week in advance of the Christmastime release on Netflix, continuing the exploits of Benoit Blanc (Daniel Craig) as he accepts an invitation to a murder mystery party on a private island in Greece. But does Onion follow suit in couching a timely theme into the breezy fun?
Yes and no — but it’s worth mentioning up front that Onion is indeed a lot of fun, and a looser brand of fun that’s perhaps natural for a sequel. The protagonist is already known to us and the budget, frankly, is far larger, and so Johnson and Co. cut loose from the jump and never really let up. If there is a lack of thematic heft — we’ll dig into that more in a moment — then I didn’t notice it during the film. Glass Onion is more ambitious than Knives Out on almost every level, from the locales to the special effects to the cameos (in Knives Out it was M. Emmet Walsh, here it’s Ethan Hawke, Hugh Grant, Serena Williams, Yo Yo Ma, etc, etc). That ambition may not automatically make Onion a better film, but it’s refreshing to see Johnson and Co. commit so fully to breaking fresh ground rather than try to rebottle that first lightning strike.
Continue reading Glass Onion (2022) →
I have a kind of casual self-imposed policy of watching movies from the Marvel Cinematic Universe only once. Sometimes this works out beautifully, as in the case of, say, Thor: The Dark World, which I’m not sure I could sit through again without fast-forwarding to the parts with Tom Hiddleston. Other times I have a temptation to go back and watch a previous entry, usually on the eve of a new entry like Avengers: Age of Ultron. This policy is in effect partly because a good chunk of the MCU films are like The Dark World — sloppy, boring, noncommittal — and a second viewing only highlights these qualities. What do I do, then, if I need me my Thor fix now? I go read a Thor comic.
The real experiment afoot here is one that will fail, but one I hope for anyway: if the longevity of the MCU is the thing the MCU-makers are actually striving for, rather than that rusty and outdated model of making one good movie after another, then can I find a way to emphasize that? Can I enjoy the good and forget the bad and then return to the whole thing as one whole thing, years later, and really feel that longevity in the good and the bad?
Continue reading Avengers: Age of Ultron (2015) →
– Bryan Singer announced his directorial follow-up to X-Men: Apocalypse as the Robert A. Heinlein sci-fi chronicle The Moon is a Harsh Mistress. We predict this will be awesome.
– Production is about to begin on Ang Lee’s next film Billy Lynn’s Long Halftime Walk, prompting casting rumors regarding Garrett Hedlund and Steve Martin.
– Jeremy Renner’s Hawkeye has officially joined Captain America: Civil War, a movie most are already dubbing Avengers 2.5. The rumor that one of the Avengers would be killed off in Age of Ultron is looking less and less likely.
– Check out this awesome video tribute to cinematographer Emmanuel Lubezki, lensman behind the likes of Gravity and Birdman, over at Collider.
Continue reading Film & TV News: March 9 →