I have a kind of casual self-imposed policy of watching movies from the Marvel Cinematic Universe only once. Sometimes this works out beautifully, as in the case of, say, Thor: The Dark World, which I’m not sure I could sit through again without fast-forwarding to the parts with Tom Hiddleston. Other times I have a temptation to go back and watch a previous entry, usually on the eve of a new entry like Avengers: Age of Ultron. This policy is in effect partly because a good chunk of the MCU films are like The Dark World — sloppy, boring, noncommittal — and a second viewing only highlights these qualities. What do I do, then, if I need me my Thor fix now? I go read a Thor comic.
The real experiment afoot here is one that will fail, but one I hope for anyway: if the longevity of the MCU is the thing the MCU-makers are actually striving for, rather than that rusty and outdated model of making one good movie after another, then can I find a way to emphasize that? Can I enjoy the good and forget the bad and then return to the whole thing as one whole thing, years later, and really feel that longevity in the good and the bad?
Continue reading Avengers: Age of Ultron (2015)
It might just be because of the scenes in the pool, but John Cheever’s short story “The Swimmer” was never far removed from my viewing of The One I Love. The obsession with suburban America that Cheever shared with the likes of John Updike also seems applicable here, but it’s probably more the hazy blur of realism and surrealism that brings the late writer’s most famous story to mind throughout the film. Granted The One I Love is more lighthearted than anything Cheever ever wrote, but there’s still a sustained feeling of dread and discomfort here. That’s coincidentally what sets the movie apart from most others, pulling it safely out of rom-com zaniness territory while managing to maintain a humorous mood.
Mark Duplass and Elisabeth Moss are Ethan and Sophie, troubled young couple who find their marriage in jeopardy. Their counselor (who, for some reason, is played by Ted Danson) suggests a getaway at a picturesque hillside home designed specifically, it seems, for troubled young couples. They go. They have a great first night. After that, though, things go a little haywire. There’s something off about the little guest house in back. What was all the confusion about that first night? Could this be a dangerous place? Should they leave? Stay? Was this Ted Danson’s intention?
Continue reading The One I Love (2014)