- Christopher Nolan has announced his next film will hit theaters in 2017, but that’s all we know. Besides Michael Caine.
- Netflix has picked up the fantastic Charlie Brooker series Black Mirror for more original episodes, which is welcome news for those dreading the proposed American remake. For those who’ve yet to see the show, take the first episode with a grain of salt. From the second episode onwards, you’ll be hooked.
- Spectre‘s theme song “Writing’s on the Wall” will be theme sung by Sam Smith, the first British male solo artist to do Bond since Thunderball‘s Tom Jones.
- The Force Awakens will be opening one day early in the U.K., as if I needed another reason to move to Europe.
Continue reading Film & TV News: September 9
This review appeared shortly after the initial premiere of True Detective in early 2014 — slight edits have been made since the original posting.
Matthew McConaughey took home a well-deserved Oscar last night for his work in Dallas Buyers Club, beating out stiff competition in the likes of Christian Bale and Leonardo DiCaprio. While his acceptance speech was, as you would expect, very positive and un-Rustin Cohle, the usual drawling fatalism we’ve come to expect from Sunday Night McConaughey was going down on another channel. True Detective followed the slow-paced “Haunted Houses” with an even slower penultimate episode, and yet it still provided enough story progression that waiting a week to find out what the finale has up its sleeve will be torturous. Spoilers follow for the seventh episode “After You’ve Gone”.
At the end of “Haunted Houses” Cohle and Hart met in 2012 for the first time, having not seen each other for a decade and both looking a little worse for wear. Speculations as to what their ultimate meeting would entail were fueled by the shot of Hart checking his loaded gun, guesses ranging from standoff to a revelation that Cohle or Hart or both or whoever is indeed The Yellow King.
Continue reading True Detective 1.7 – “After You’ve Gone”
Penny Marshall’s Awakenings is most superficially compared to Barry Levinson’s Rain Man for a few understandable reasons, not least of which being the two films feature a famous lead actor playing a character with a severe medical affliction. The two films also came out within two years of each other, and some may suspect Rain Man‘s success to have influenced Awakenings.
Starring Robin Williams as Dr. Malcolm Sayer (an analogue for real-life Dr. Oliver Sacks, whose memoir provided the basis for Awakenings) and Robert De Niro as mostly-catatonic patient Leonard, the film follows both men as they experience a breakthrough with regards to Leonard’s condition. Sayer’s intuition leads to the application of a new drug which brings Leonard and other patients of the ward out of catatonia and into a clearer existence, “awakened” to the world. The continued treatment of Leonard proves a heartbreaking experience for Dr. Sayer.
Continue reading Awakenings (1990)