Tag Archives: David O. Russell

Spotlight (2015)

One appreciates how difficult it is to make a successful film like Spotlight. Yes, you have an A-list cast at your disposal, and yes, it’s Oscar season. They’re going for it. You have a true story that is quite literally already recorded for the public eye, plain as day, and besides the revelatory Spotlight newspaper clippings you have a vast backlog of coverage on the coverage, stories about the story. Yes, most of the real people who took part in that story are still alive and willing to participate in making a film about their achievements. And yes, the crucial win is already firmly in place: this is a highly relevant story, stranger than fiction but all the more urgent for being the truth.

Granted, there’s one massive pressure point in the expectations set by the aftermath of the sex abuse scandal in the Catholic Church. Director Tom McCarthy (“you” from the first paragraph) must have felt what Adam McKay felt in directing The Big Short, what David O. Russell felt in directing Joy, what Danny Boyle felt with Steve Jobs, what Don Cheadle felt with Miles Ahead. Any director dealing with the poster tagline Based On a True Story must ask “am I getting this right?”

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Film & TV News: December 23

News

  • The latest Force Awakens box office numbers put the Star Wars episode at $610.8 million, blasting past previous record-holders in pretty much every category. Avatar‘s global box-office haul is certainly in sight. More importantly, The Force Awakens is a pretty fantastic movie.
  • Speaking of Avatar, James Cameron has made a series of optimistic-sounding comments about the future of the franchise and the release of the first sequel around Christmas 2017. Cameron is planning a trilogy of sequels and is taking his time developing the world of Pandora, which in my book is a good thing.
  • Inherent Vice‘s Katherine Waterston will lead Ridley Scott’s Prometheus sequel Alien: Covenant, which will reportedly bring back Michael Fassbender’s android David and potentially Noomi Rapace’s Shaw as well. Here’s hoping the writing is more akin to the sparse Alien than to the convoluted Prometheus.

Continue reading Film & TV News: December 23