Tag Archives: Wes Studi

The Red Road 2.5 – “The Hatching”

I’m really surprised there are no movies called The Penultimate Hour. It’s a decent title in a James Patterson sort of way, or in a Van Damme sort of way. The closest thing might be Philip K. Dick’s novel The Penultimate Truth, or the 2007 documentary on the author called The Penultimate Truth About Philip K. Dick. Those are great titles. There are a few movies called The 11th Hour — and funnily enough, there is James Patterson book by that title — and I suppose that means the same thing. “Eleven” doesn’t carry the same force as “penultimate”, though, does it?

The only thing any of this has to do with The Red Road is that “The Hatching” is the penultimate episode of season two, the literal penultimate hour, and that’s generally the hour in which…well, what happens in the penultimate episode of a season? It used to be the case that season finales were tantamount to a bunch of awesome stuff, meaning the previous episode was usually spent getting everything set up for the fireworks. That’s changed recently. Game of Thrones made a casual tradition of having the ninth episode of each season (the penultimate of each in the case of Game‘s 10-episode seasons) be far more action-packed than the ensuing finales. Breaking Bad‘s “Ozymandias” delivered finale-level intensity with two episodes still to follow, and Better Call Saul‘s penultimate hour “Pimento” was likewise the season’s best.

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The Red Road 2.2 – “Graves”

A relatively quiet second episode of The Red Road‘s sophomore year provided a little more clarity with regards to the direction the show might take after a cracking first season. The impetus for much of the going-ons here is the murder of Mac, elder chief of the Lenape chapter of the Ramapo Mountains, which we saw at the end of the the second season opener “Gifts“. As suspected, Phillip Kopus is now the front-and-center suspect in Mac’s demise.

A recent interview with Jason Momoa touched on the “breaking” of the Kopus from the first season; Aaron Guzikowski, creator of Red Road and scribe behind Denis Villeneuve’s Prisoners, certainly seems to be heading in that direction with “Graves”. It’s interesting that Kopus more or less shuns the traditional trappings of his Lenape ancestry and yet seems to find himself cornered by it throughout the opening episodes of the second season. That disregard for the tribe led to Mac’s abandonment of him, which in turn presents a motive for people to attach to Kopus when Mac turns up dead. Even though the mountains have their own tribal police force, the method of attack on Kopus is the same as it has ever been, with a “half-assed lynch mob” (in Kopus’s disdainful estimation) beating him and covering him with tar.

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The Red Road 2.1 – “Gifts”

There was no small degree of uncertainty with regards to the direction The Red Road could take after a successful first season. Jason Momoa’s Phillip Kopus, the heart and soul of the show, seemed headed for prison; Martin Henderson’s Harold Jensen somehow came out in front of both Kopus and the ongoing familial strife that had plagued his wife Jean and their household for the past few months. But with a few major storylines seemingly reaching their conclusions — particularly one about the years-ago death of Jean’s twin brother and one about Kopus’s manipulation of Harold —where would season two go? “Gifts” starts by picking up right where the first season finale “Snaring of the Sun” left off, with Kopus being his usual menacing self and Harold showing he’s learned how to lie pretty damn effectively.

But that first scene is more of a coda to season one than it is a prelude to season two, as we’re soon treated to the ONE YEAR LATER tag that introduces the world of season two. And calling it a “world” is intentional, because although many of the same players are here the second season of The Red Road is already very different than the first (there are some new faces too [Wes Studi!]). We spoke a little about the setting of Road and the way in which it relates to the characters in our review of “Snaring”, so it was nice to see “Gifts” really run with that idea.

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