Apart from an apparent drive to write about movies with single-word titles beginning with “C” — Christine, Constantine, Calvary, Coma, etc. — we were also given another reason to revisit Cloverfield in the form of a surprise pseudo-sequel, that being the upcoming 10 Cloverfield Lane. Lane was announced out of the blue last week by J.J. Abrams and Co., having already been completed and somehow kept under wraps until a mere two months before release. Impressive marketing strategies aside, the film actually looks pretty interesting. Here’s that trailer:
Cool, right? It seems like the kind of thing that just happens to take place in the world of Cloverfield, but might really be a self-contained story that could conceivably exist without the other movie. Judging from that brief look, the only thing that links the two films is the alien invasion itself, not the human characters nor the location nor any of the events of the first film. There’s no way to be certain of that, of course, but the good thing is we don’t have to wait long to find out. Presumably, this is more of a psychological thriller than Cloverfield, and presumably future sequels could follow the same format and use only the alien invasion as the linking factor. This, of course, results in the hilarious romantic comedy Clove at First Sight and the franchise crossover Angels in the Cloverfield.
Continue reading Cloverfield (2008)
- Guys: a Deadwood movie. We dare not dwell on this possibility and are currently knocking on every wooden object in the vicinity, but HBO and David Milch have stated that “it’s happening”. Lots of deserving shows bring up the possibility of concluding with a movie, but a Deadwood film just makes perfect sense.
- Lots of TV news this week, as a matter of fact: Steven Soderbergh has revealed a six-year plan for The Knick, Ridley Scott has expressed interest in helming an adaptation of The Prisoner, and Arrested Development will be structuring its fifth season like Making a Murderer. All of those things sound awesome.
- Christopher Nolan’s next film will be Dunkirk, and fellow collaborator Hans Zimmer has already signed on for scoring duties. Tom Hardy’s name has been thrown out for a starring role, but that’s just a rumor at this point.
- Aaron Sorkin will make his directorial debut with Molly’s Game, a true-life tale of a championship skier who turns into a “gambling matron”. If Sorkin can cherrypick from the directors he’s collaborated with recently — David Fincher on The Social Network, Bennet Miller on Moneyball, Danny Boyle on Steve Jobs — then Molly’s Game will be one to watch.
Continue reading Film & TV News: January 10
Looking back now, it’s almost hard to believe that John Carpenter’s career was in such a rough state back in 1983 that he needed to take on a project like Christine just to keep it afloat.
Carpenter was coming off The Thing, which while rightfully regarded now as one of the best horror films ever made, was a massive critical and financial bomb upon release. He needed his next film to turn a profit and find a larger audience or else, and at the time, no one commanded more attention in the horror genre than Stephen King. His popularity was so immense that production on Christine began before the novel was even published. When the film finally hit theaters in December 1983 — less than eight months after the novel’s release — it was already the third Stephen King film adaptation of that year, following Cujo and The Dead Zone, respectively.
Christine was by no means a passion project for Carpenter, and in the years since, he’s referred to it as his worst film. Strictly speaking, it’s kind of clear why: the premise is gimmicky and by the numbers, a total retread of some of King’s already better known works. In many ways, Christine is like a spiritual sequel to Carrie (1976), but for tortured teen boys.
Continue reading Christine (1983)