Charlie Kaufman’s feature screenplays have only been adapted by four directors. There’s Spike Jonze (Being John Malkovich and Adaptation.), there’s Michel Gondry (Human Nature and Eternal Sunshine of the Spotless Mind), there’s Kaufman himself (Synecdoche, New York and the upcoming Anomalisa). The fourth is none other than George Clooney, who chose the Chuck Barris biopic Confessions of a Dangerous Mind as his directorial debut.
Confessions was a battle of personalities from the start. Kaufman, still a youngish scribe, was already gaining a reputation as a writer very involved with a given film at every stage (up until now that was a point in his favor; stay tuned). Kaufman attracted some big interest, and Bryan Singer was originally attached to direct Johnny Depp in the lead role. Once the two of them moved on it was Clooney who moved into the director’s chair, arguably enjoying the height of Clooneydom following O Brother, Where Art Thou? and Ocean’s Eleven. And the largest personality of them all might be Chuck Barris himself, author of the autobiography Confessions, host of a dozen late-night gameshows, veritable connoisseur of crap TV. Barris claimed he worked as an international CIA assassin on the side while producing television by day, which has never been confirmed or denied but does indeed make for one hell of a story.
Continue reading Confessions of a Dangerous Mind (2002) →
“Good. Eve. Ning. Lay. Dees. And. Gen. Tel. Men.”
Human Nature is without a doubt the overlooked film in writer Charlie Kaufman’s body of work. It’s tough to say why, exactly. Tim Robbins, Patricia Arquette, and Rhys Ifans lead a cast that includes appearances by a few other well-known faces, so it’s probably not a fault in the casting. Director Michel Gondry did cut his feature-length teeth with Human Nature, so you could chalk it up to a lack of name recognition in that category. But then again, Kaufman’s first produced screenplay was Being John Malkovich, directed by then-unknown Spike Jonze, and that film remains far more popular today than Human Nature.
Whatever the reason, Human Nature is only slightly less inventive than Malkovich and nearly every bit as humorous. Arquette’s Lila is born with a strange defect that causes her to be excessively hairy all over her body, providing further evidence that Charlie Kaufman was nursing a serious obsession with primates during his early screenwriting days. Rhys Ifans is Puff, a man raised in the wilderness by a father who was driven to monkey-dom by the murder of JFK (“Apes don’t assassinate their Presidents!”). Tim Robbins is the conspicuously well-mannered doctor who brings everything together. Sound zany enough? That’s because it’s really Kaufman and Gondry who bring everything together, and they do it remarkably well.
Continue reading Human Nature (2001) →