- The first trailer for the Star Wars anthology film Rogue One took the internet by storm yesterday, providing the first glimpse of the hotly-anticipated pseudo-spinoff. Two new Star Wars movies within a year of each other, both reinvigorating the franchise after years of dormancy and prequel strife — both Force Awakens and Rogue One are led by tiny gutsy British women, and you’re trying to tell me they’re not related?
- Cillian Murphy has joined Christopher Nolan’s Dunkirk, marking the fifth collaboration between actor and director following the Dark Knight trilogy and Inception. He’s joining an impeccable cast that includes Kenneth Branagh, Tom Hardy, Mark Rylance and a handful of newcomers. If any team can turn a fresh eye onto a very famous part of history, it’s this one.
- World’s Most Perfect Human Charlize Theron has been cast in the eighth installment of the Fast & Furious franchise, but for some strange reason they’re not calling it Fast & Furiosa.
- Relax, you guys: Sherlock Season 4 is now filming.
Continue reading Film & TV News: April 8
- The Aussies cleaned up at the 88th Academy Awards last night, taking home a grand total of six for Mad Max: Fury Road. The Revenant and Spotlight won the bigger trophies, though, as did Brie Larson for Room and Mark Rylance for Bridge of Spies.
- Major respect to Alicia Vikander for taking home a well-deserved Supporting Actress Oscar, considering she was pivotal not only in The Danish Girl but also the supremely under-appreciated Ex Machina and the summer’s best popcorn flick The Man from U.N.C.L.E., all of which are from 2015. 2016 better watch out.
- We somehow failed to recognize that the great Douglas Slocombe had passed away this year until the In Memoriam section of the Oscars rolled out. Slocombe is the man who lensed the likes of The Lavender Hill Mob and Raiders of the Lost Ark and had immense influence on how major motion pictures look today.
- Best quote of the night goes to Oscar winner Charlize Theron, responding on the subject of the best part of the Academy Awards by simply saying “the hamburgers.” Also, Best Human Ever also goes to Charlize.
Continue reading Film & TV News: February 29
It’s fitting that The Revenant pushes the limits of film, ceasing mercifully only just before breaking, because that’s exactly what happens to Hugh Glass. If you’re one of the people behind the film, crafting it, then you have to push the limit: you’re Alejandro Iñárritu or Emmanuel Lubezki, coming off the exquisite Birdman and arguably at the height of your career, seemingly happy to be shouldered with the weight of expectation or otherwise just left with no choice. If you’re one of the people in front of the film, watching it, you want it to push the limit: if you’re watching The Revenant in the first place, you’re likely quite certain that you’re in for a challenging watch and not a brain-switched-off actioner.
But if you’re one of the people inside the film, acting in it, living it, then being pushed to the limit means actually being pushed to the limit. Throughout 2015 stories of the extremely arduous on-location filming of Revenant trickled down from that remote region of Alberta, from the torrential rains of British Columbia, from the freezing southernmost tip of Argentina. Ten people quit or were fired during production. In July Hollywood Reporter ran an article about the brutal conditions on set, prompting more and more questions about the safety precautions and the direction of the film. Blurbs from Leonardo DiCaprio, Tom Hardy, and the rest of the cast make The Revenant shoot sound more life-threatening than that of Apocalypse Now or Fitzcarraldo; Iñárritu himself has since taken to referring to the cast and crew as “survivors”.
Continue reading The Revenant (2015)
Fun fact: Nick Nolte, of all people, was nominated for an Academy Award for this film.
Gavin O’Connor’s Warrior, starring Nolte, Tom Hardy, and Joel Edgerton, is an emotional tale detailing the effects of an alcoholic father on a pair of brothers and how they ultimately overcome the damage done. One aspect of the film I particularly enjoy is the use of mixed martial arts simply as a frame for the telling of the story, rather than as the true focus of the film. Warrior is about family and pain and forgiveness and regret and utilizes the intensity of physical battle to make these themes come across all the more powerfully. How could one feel Tommy’s (Hardy) mix of confusion and fear more effectively than by watching him punch another man in the face?
Tommy is the most interesting character in Warrior because he, quite clearly, is the most emotionally sensitive; his resentment of his father is immense, the pain he has felt at the death of his mother and his brother-in-arms is excruciating, his confusion about what he should do and where he should go, and the fear caused by this confusion all translate into his ferociousness in the cage. O’Connor’s decision, as screenwrter, to turn in a quiet character in Tommy is brilliant — Tommy desperately wants to be the “tough guy,” despite being deeply affected by the events of his life. He holds his emotions inside, they bubble, and are frighteningly released in the ring. Had Hardy spent the film blabbering, that interesting character would have collapsed completely. Tommy really would be perceived as the “tough guy,” had he not been so introspective and obviously distressed.
Continue reading Warrior (2011)
- Hannibal gets cancelled by NBC just as I was starting to watch it. Hopefully Netflix will come to the rescue for this show as it has The Killing and others before it.
- Tom Holland was announced as the new Spider-Man earlier this week, and yes, we called it.
- Michael Crichton‘s posthumous novel Micro has been co-opted for a feature film adaptation, likely so whoever’s making it can cash in on the success of a certain dinosaur franchise.
- The great James Horner passed away earlier this week — few composers, not even Hans Zimmer or Danny Elfman or (dare I say it) the immortal John Williams have a filmography as varied and impressive as Horner. He will surely be missed.
Continue reading Film & TV News: June 28
At least as far as the majority of the American public is concerned, Erich Maria Remarque is one of those authors who only wrote one book. It’s not true, of course, but his seminal All Quiet on the Western Front eclipsed his other work in the same way that Joseph Heller’s Catch-22 and Ken Kesey’s One Flew Over the Cuckoo’s Nest eclipsed everything else they wrote. In some cases this all-encompassing book isn’t even the best work by the given author, and there’s certainly a case to be made for that notion as far as Remarque is concerned. Heaven Has No Favorites, his 1961 novel, was serialized before publication but joined the rest of his works in achieving only minor notoriety. But it’s a hell of a book, heartbreaking and beautifully written even with the knowledge that it’s been translated from German.
And it would be nice to say that Bobby Deerfield yanked Heaven out of obscurity, but it really didn’t. Alvin Sargent (who would eventually win an Oscar for his screenplay for Ordinary People) penned the adaptation of Remarque’s novel, and the treatment soon piqued the interest of Sydney Pollack. By this point Pollack was well-established in Hollywood, having the Robert Redford-starrers Jeremiah Johnson and Three Days of the Condor under his belt, and so the next stop in the life of the script was in front of the on-fire Al Pacino. Pacino was drawn to the role of American F1 driver Bobby Deerfield, saying he identified with his journey more than any role he’d taken to date.
Continue reading Bobby Deerfield (1977)
- The Cannes Film Festival is well under way, and buzz is strong on a lot of the films screened thus far. Yorgos Lanthimos presented The Lobster (Colin Farrell, Rachel Weisz), Woody Allen presented Irrational Man (Joaquin Phoenix, Emma Stone) and Stéphane Brizé presented La loi du marché (with Vincent Lindon of La mustache), all of which played favorably. On the other end of the spectrum is Gus Van Sant’s Sea of Trees (Matthew McConaughey, Ken Watanabe), which was met with a sea of boos.
- Jude Law has joined the tentatively-titled The Young Pope, a speculative HBO series about an American pope. That premise would be only vaguely interesting were it not for the presence of director Paolo Sorrentino, helmer of 2013’s The Great Beauty, as Pope‘s showrunner.
- David Lynch does another 180° and says the Twin Peaks revival is happening after all. At this point we’ll believe it when we see it, and even then we might not care.
Continue reading Film & TV News: May 18
- Daniel Craig has sustained an injury on the set of the new Bond film Spectre, prompting surgery and much nail-biting over whether the filming schedule will be delayed or compressed. Eon has denied that rumor. And besides, judging by last week’s trailer, we’ve no reason not to trust that Craig and Sam Mendes will deliver.
- Tom Hardy has let slip that he’s signed on for three more Mad Max films following Fury Road, which hits theaters next month. Bring on the Tina Turner cameo!
- Netflix has renewed House of Cards for a fourth season (surprise!) and their newest series Bloodline for a second season.
- Guardians of the Galaxy 2 starts filming early next year in…Atlanta. The plot will presumably see Groot and Co. honing their Deep South sensibilities. Karen Gillan’s Nebula is set to return, too, hopefully for a much larger role this time around.
Continue reading Film & TV News: April 6
Alejandro González Iñárritu‘s follow-up to his Best Picture-winning Birdman will be The Revenant, starring Leonardo DiCaprio as a frontiersman left for dead by his fellow trappers after being mauled by a bear. A revenant is “a person who has returned, especially supposedly from the dead”, according to the OED (I love that especially supposedly bit), a term derived from High Middle Age folktales. These tales generally held that revenants would return from the grave either to seek revenge on a killer or wrongdoer or just simply to harass friends and family members. That latter class of revenants really sounds like a bunch of assholes.
The story upon which Iñárritu’s Revenant will be based (specifically a 2002 book of the same name by author Michael Punke) has already been filmed as Man in the Wilderness, casting Richard Harris in the central role of Zach Bass (DiCaprio will be “Hugh Glass”, but it’s the same character). Wilderness and Revenant are the same story told two different ways, and one would assume that Iñárritu’s approach would hew much closer to the more recent book. It will be interesting to see how influential Wilderness actually is, though, because it holds some sequences and motifs that kind of seem at home in Iñárritu’s wheelhouse.
Continue reading Man in the Wilderness (1971)
As with our recent article on Batman Begins, this won’t exactly be a traditional “review” of The Dark Knight Rises so much as an examination of the comics that directly inspired the film, previous iterations of the character on the big screen, and the things that Christopher Nolan chose to pinch and blend together from the two of those in order to give us a recognizable version of Cinema Batman. Some of the most legendary moments in Nolan’s trilogy are those of true originality, but it’s good to remember every now and then that Bruce Wayne has been around a hell of a lot longer than Nolan and Co.
And if we’re talking comics that influenced Nolan’s last Batfilm, the only one really worth mentioning is Knightfall. Yes, there are a whole host of comic arcs that can claim to be influences for parts of Rises — the No Man’s Land arc sees Gotham cordoned off from the rest of the world; the four-part story The Cult has a villain operating from the sewers; Bane is the explicit right-hand man of Ra’s al Ghul in 1999’s Bane of the Demon; and Frank Miller’s seminal The Dark Knight Returns has a similar premise and conclusion to Nolan’s Rises, which we’ll come back to in a moment.
Continue reading The Dark Knight Rises (2012)