It ain’t always fun, the movies. Amongst this year’s least-fun pictures we probably have the likes of Alita: Battle Angel, Glass, Dark Phoenix and Gemini Man, all of which share in common a clear prioritization of special effects over storytelling. They’re also united in the fact that production was rocky in every instance, be it years of limbo or last-minute hackjobs in the editing bay, though that’s not necessarily synonymous with a bad film. Production on one of this year’s best, The Lighthouse, was described by its own director as “tense” and “cold”. No fun to be had in making that movie. Only in watching it.
In a pre-recorded clip before the New England premiere of Knives Out, writer/director Rian Johnson — whilst thanking us for seeing the film and imploring us not to spoil it — said flat out that making it was “a blast.” It’s not hard to believe, and evident from the film’s very first scenes: everyone in front of the camera (Daniel Craig, Ana de Armas, Christopher Plummer, Don Johnson, Jamie Lee Curtis and a million others) breezes through having the time of their lives. And Johnson, too, exudes a confidence here as both a writer and a director that can only be borne of exciting material in the hands of a craftsman coming into his prime.
Continue reading Knives Out (2019) →
- Sam Mendes has officially stated that he won’t return for a third Bond outing after Spectre… but by now, of course, we pretty much know to take these sorts of “confirmations” with a grain of salt. Mendes also teased that we might expect the artist of the theme song to be made public sooner rather than later.
- Another Accidental Franchise Sam (this one’s Raimi) has given his blessing to Marvel’s high-school approach to the new Spider-Man. So, yeah. Rest easy.
- We noted how weird the career of David Gordon Green is in our review of Manglehorn, wherein we also lauded the fact that he’s leaned toward smaller indie-feel projects like Manglehorn and Joe. Now Green will allegedly be directing Stronger, one of the many adaptations concerning the Boston Marathon Bombing, thus remaining one of the most unpredictable directors in Hollywood.
- It Follows is now available on Amazon Instant Video and several other platforms, so your excuses for not watching it are really starting to thin out (you know who you are).
Continue reading Film & TV News: July 21 →
Marvel’s Captain America spinoff Agent Carter premiered tonight in two parts, bringing Hayley Atwell’s ’40s can-do spy Peggy Carter to the small screen. If your barometer for the show is the other Marvel Cinematic Universe cable tie-in Agents of S.H.I.E.L.D., then you’ll probably be pleasantly surprised by the quality of Agent Carter and the willingness of the show to shed those ties to the larger MCU. If your barometer is a true 1940s spy serial, you might be just a tad disappointed.
Peggy first appeared in Captain America: The First Avenger (set during WWII, when Peg has a passionate fling with Steve Rogers) and popped up again in The Winter Soldier (set in the present day, so Peggy’s old as hell). Agent Carter takes place immediately following the war, and scenes from First Avenger kickstart the pilot episode and continue to frame Peggy’s loss after Cap plunged into the ice at the end of that film. Squeezing Chris Evans into your show without actually paying to cast him, or creating a new contract or convincing him to film new scenes? Nice, Marvel.
Continue reading Agent Carter 1.1 – “Now is Not the End” →
Long before James Mason was cast in the role of Stodgy Old Man in every movie ever, he once played Young Hunk in Hero’s Island. This somehow has nothing to do with his age – Mason was 53 when he played the island-bound Jacob Weber, which is far older than today’s Young Hunk standards – and instead has everything to do with Mason being one hell of an actor. In fact, he appeared as Humbert Humbert in Kubrick’s Lolita in the same year, a role which definitely leans more toward Stodgy Old Man than toward Young Hunk. One can imagine a remake of Hero’s Island casting Chris Hemsworth or Chris Evans or Chris Pratt – basically any of the Marvel Superhero Chrises – in the role of the brawny Jacob, sandy hair and strategically tattered shirt and all. This would be an entirely different kind of film (Superhero’s Island) because Mason’s Jacob is hunky, sure – but is he a hero?
Set on Bull Island in 1719, we meet the Mainwaring Family as they arrive on their new waterlocked home. The deed in Father Mainwaring’s hand entitles him to ownership of Bull Island, but standing on the dirt for the first time he states with a sense of wonder that “it doesn’t feel that I own this”. Ownership, of course, is entirely a matter of opinion – and in the opinion of the fisherman who’ve lounged around the island for years, the “right” of the Mainwaring Family’s presence is no right at all. They’re essentially Crusoe’s savages in the context of Hero’s Island, though their depiction in the opening scenes hews closer to this comparison than their actual function once the film is fully fleshed out. One of the first things the Mainwaring Family sees to is the construction of a large cross, which they kneel and pray in front of once it stands tall. The “savage” fisherman watch from afar, and before we hear them say anything more than a few words we see them bless themselves with the sign of the cross upon seeing the Christian symbol rising from their dirt.
Continue reading Hero’s Island (1962) →