Not exactly a rock ’em sock ’em hour for Agent Carter in the third episode “Time and Tide”, which is a shame considering the season/series is only slated for eight episodes in total. That’s not a lot of time to gather a head of steam, and while Agents of S.H.I.E.L.D. took a solid fifteen episodes before really breaking interesting ground Agent Carter has no such luxury. It’s fortunate, then, that Hayley Atwell and James D’Arcy remain so watchable in this otherwise droll episode.
Following the death of the mysterious Brannis at the end of “Bridge and Tunnel”, Peggy is left with a partial symbol and a whole host of questions regarding the theft of Howard Stark’s inventions. The symbol kind of looks like a heart, and so Peggy goes digging. She consults the Book of Symbols on her bedside (sigh) and makes a shocking discov — oh, no, sorry. This doesn’t seem to lead anywhere. Okay. Move along.
Continue reading Agent Carter 1.3 – “Time and Tide” →
Marvel’s Captain America spinoff Agent Carter premiered tonight in two parts, bringing Hayley Atwell’s ’40s can-do spy Peggy Carter to the small screen. If your barometer for the show is the other Marvel Cinematic Universe cable tie-in Agents of S.H.I.E.L.D., then you’ll probably be pleasantly surprised by the quality of Agent Carter and the willingness of the show to shed those ties to the larger MCU. If your barometer is a true 1940s spy serial, you might be just a tad disappointed.
Peggy first appeared in Captain America: The First Avenger (set during WWII, when Peg has a passionate fling with Steve Rogers) and popped up again in The Winter Soldier (set in the present day, so Peggy’s old as hell). Agent Carter takes place immediately following the war, and scenes from First Avenger kickstart the pilot episode and continue to frame Peggy’s loss after Cap plunged into the ice at the end of that film. Squeezing Chris Evans into your show without actually paying to cast him, or creating a new contract or convincing him to film new scenes? Nice, Marvel.
Continue reading Agent Carter 1.1 – “Now is Not the End” →