Tag Archives: Kristen Wiig

Hateship Loveship (2013)

Generally speaking, when one goes into a movie, they have a certain set of expectations. If it’s a horror movie, they expect to be scared; if it’s a thriller, they expect to be on the edge of their seat; if it’s a love story, they expect to be moved, and so on and so forth. If you see Hateship Loveship, here’s my best piece of advice: don’t have any expectations.

Hateship Loveship is advertised as a rom-com, but it is far from it. In fact, it might as well be genre-less. This doesn’t mean it’s bad – in fact, it’s pretty good once you can accept that it’s not a comedy at all – but it does mean that if you go in to it expecting it to be your traditional quirky, funny love story, you’re going to end up disappointed.

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The Martian (2015)

Hands down, the best movie theater experience I’ve ever had.

Sci-fi royalty Ridley Scott’s’ latest space voyage did not disappoint.  The Martian — starring Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Peña, Sean Bean, Kate Mara, Chiwetel Ejiofor, and Donald Glover (holy shit) — epitomizes the term “modern classic.”  It gets its two major themes of unrelenting determination and human bravery across gracefully and without any integrity-damaging clichés, an accomplishment that continuously eludes many filmmakers who embark upon such a journey. That’s the difference between this film and Independence Day, for me (that’s not to say that the latter doesn’t hold a special place in my heart).

I left the theater with the stupidest grin on my face. The film’s humor was the beautiful element that made it exceptional, not only in the simple sense of making the film more enjoyable, but also in the sense that it unquestionably aided Damon’s performance — otherwise, I doubt his sheer optimism would have been nearly as believable.  The humor lightened the mood for us and kept us believing that Mark Watney was going to do the impossible.  Far from falling into the category of comedic-relief-humor, The Martian might actually get nominated for Best Comedy or Musical at the Golden Globes next year.  When Watney practically blows himself up and goes I flying across the hab, I cried with laughter.  When Watney intentionally goes to town with expletives in an inter-planet online chat that is being streamed worldwide, I cried with laughter.

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A Deadly Adoption (2015)

You have to put a lot of effort in if you want to get a perfect score in anything worthwhile, and the reverse is also true: if you want to score a pure 0%, you still have to work pretty damn hard. After forgetting to put your name at the top of the quiz, you basically need to know the right answers to all of the questions in order to then select the wrong answers, which, of course, begs the question as to why you didn’t just shoot for the A+ instead. This would be nearly paradoxical if it wasn’t just a plainly obvious certainty.

A Deadly Adoption is a bit like that, except that the people intentionally flunking the exam are getting paid handsomely to do it and their classmates are zipping around the playground after the period’s over spreading the word about how cool they are. Will Ferrell and Kristen Wiig have been getting pretty good grades so far, but now that the popular table has…aw, f*ck it. Extended metaphors are for the more involved. Besides, we’re talking about passing/failing something worthwhile, which is a thing A Deadly Adoption is absolutely not.

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