Tag Archives: Dwayne Johnson

Shazam! (2019)

Is the DCEU still a thing? Conceived as the answer to Marvel’s unfathomably successful Cinematic Universe, DC’s interconnected supertales never quite coalesced the way they were intended to. You could point to any number of reasons for this derailment: a lack of a Kevin Feige-type visionary at the helm, or a violent shift in tone from one movie to the next, or poor casting in crucial roles, or the general cart-before-the-horse nature in which this series was rushed into existence. Those are all blameworthy when considering the ineffectiveness of a franchise. But because each individual film in the DCEU — Man of Steel, Suicide Squad, Batman v. Superman, Wonder Woman, Justice League, Aquaman — is mighty flawed in a vacuum, I’m inclined to point to crappy, one-note villains as an unfortunate recurring theme which, if given proper TLC, might just right the DCEU ship.

Well, you’re saying, that sounds like a massive oversimplification. It is, probably, considering we’re now in an era so dominated by superhero movies that the more experimental outings are the most interesting ones. Deadpool, Logan and Into the Spider-Verse all have villain types we’ve seen before, but they still manage to break the mold. Exactly, you’re saying, and besides, I happen to like General Zod and some of the other DC villains. Granted, ascribing a matter of opinion as the sole reason for the failure of a billion-dollar film franchise could be a stretch. Definitely, you’re saying, and besides, aren’t you supposed to be talking about the new one instead of whining about the old ones?

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Face Off: Hercules (1997) and Superman I/II (1978/80)

Motion State Face Offs pit two films, franchises, or television series against each another for no reason other than because we can.

As the leading voice in movie reviews, we at Motion State Review judge films based on a wide variety of factors — dialogue, acting, cinematography, whether or not Nic Cage is in it, etc. But perhaps the most important quality a movie can have, in this contributor’s humble opinion, is originality. Sometimes, we do not recognize a movie’s level of originality unless it is noticeably unoriginal (Avatar rehashing Pocahontas, to name one; seriously they are the same movie). Other times, you can see a movie a dozen times before realizing that maybe you have seen the same exact thing somewhere else. Such was the case as when I traveled to Athens and watched the Disney movie Hercules for the first time in several years, because a true movie critic travels thousands of miles just to watch an animated movie that takes place there. I expected to get a heavy dose of nostalgia while watching; instead I got a heavy dose of…Superman?

In the same way that Avatar and Pocahontas are similar enough that any high school teacher would claim plagiarism, so, too, I found, were Hercules and the first two Christopher Reeve Superman movies. Heck, they’re about one Superman solo song away from being the same movie (which would be awesome in the next Man of Steel flick, as long as Henry Cavill’s singing voice is as fantastic as his acting). But, let’s make one thing clear about who’s stealing from whom: the myth of Hercules came just slightly (a few thousand years) before the character of Superman was invented.

Continue reading Face Off: Hercules (1997) and Superman I/II (1978/80)

Film & TV News: March 18

News

  • It’s Batman Week on Motion State for several reasons, not least of which is because no self-respecting film criticism consortium would ever be caught dead hosting a Superman Week.
  • Zack Snyder will be tackling the first installment of the Justice League two-parter following Batman v. Superman: Dawn of Justice, and now he’s stated that he also wants to adapt…The Fountainhead? Will Howard Roark be the hero we deserve?
  • J.K. Simmons will be taking the role of Commissioner Gordon in that Justice League movie, presumably leaving behind any chance of him playing J. Jonah Jameson again. Gary Oldman’s got some big shoes…
  • In other Batman news, the animated Killing Joke released a teaser photo to mark the start of production. The exciting prospect of adapting Alan Moore‘s comic with Kevin Conroy and Mark Hamill as Bats and Joker is almost enough to wash away that nostalgia for the more endearing animation of Batman: The Animated Series in favor of the new style. Almost.

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Film & TV News: May 25

News

  • The jury at the 2015 Cannes Film Festival (which included the Coen Brothers, Jake Gyllenhaal, Sienna Miller, Guillermo del Toro, Xavier Dolan and a few more) selected champions yesterday as the festival comes to a close. The Palme d’Or went to Dheepan, the Grand Prize went to the Holocaust drama Son of Saul, acting awards went to Rooney Mara and the fantastic Vincent Lindon, and the best screenplay award went to Michel Franco for Chronic. Whew!
  • Ex Machina‘s Alicia Vikander is rumored to be in talks for both Assassin’s Creed and the next installment of the Bourne franchise. If she doesn’t get either role, we’ll be more than content to just watch Ex Machina again.
  • Empire has released the first pictures from Ridley Scott’s The Martian, starring Matt Damon and everyone else who’s in every movie these days. From the looks of the photo above, The Martian may touch on the theme of man’s singular place in the vast and unknowable universe. Shocking.

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Film & TV News: March 16

News

  • The first Star Wars spinoff, from director Gareth Edwards and writer Chris Weitz, now has a title and a star: Star Wars: Rogue One with Felicity Jones.
  • Star Wars: Episode VIII, written and directed by Rian Johnson, has been scheduled for May 26, 2017, exactly forty years and one day after the release of A New Hope.
  • Disney surprised absolutely no one by announcing Frozen 2. “Just let it go, Disney” jokes abounded.
  • Eddie Murphy could make a triumphant return to drama in Lee Daniels’ Richard Pryor biopic, playing the comedian’s father. Let’s just hope he doesn’t get too invested in an Oscar this time…

Continue reading Film & TV News: March 16