For a good long while the prestigious mantle of Most Overdone Superhero Story was without a doubt the origin tale. Dead parents, ancient birthrights, Chosen Ones, freak laboratory accidents — after a while people caught on to the fact that all of these were basically following the same formula. We’ve seen Bruce Wayne witness the death of his parents upwards of seven different times. Time for something new! Take the third season of Jessica Jones, a show which gracefully skirted an origin tale in its first season only to backtrack into one for its sophomore outing. Surely the third season of the most unlikely Marvel/Netflix venture must break fresh ground, especially considering that this third season is also the last. Right?
To be fair, it’s more likely than not that Jessica Jones was never intended to conclude after Season 3, what with the collective axing of Jones, Luke Cage, Daredevil, Iron Fist, Punisher and any future spinoffs Marvel/Netflix might have had in the oven. Despite the popular rumor that Disney might resurrect some of these properties for their Disney+ platform, that seems doubtful to me. And with the increasing tedium characteristic of each and every one of those shows, maybe that’s a good thing.
Continue reading Jessica Jones – Season 3
Boasting a “return to roots” formula meant to appeal to champions of the first season, Daredevil‘s third season premiered on Netflix this weekend in the wake of the cancellation of its peers Iron Fist and Luke Cage. Trailers revealed Matt Murdock back in his homemade origin-story duds, rather than the classic crimson armor. The villain is also back, Wilson Fisk returning to his old ways and prompting Murdock and Co. to take him down…twice and for all. The question was whether there would be enough newness to offset what frankly sounds like a remake of the first season, enough to actually move the series forward. It’s worth remembering that the Netflix/Marvel model is a business model, not a storytelling model, and while both could be said to have an “arc” it’s always been evident that the former has dictated the output strategy of both Netflix and Marvel Studios.
And the arc here is a fairly predictable one:
- Marvel and Netflix launch a new arm of the all-encompassing MCU, populated by more “realistic” street-level heroes.
- Praise follows, mostly for Jessica Jones and Daredevil, which has a second season that spawns a Punisher series of its own.
- Iron Fist premieres to negative reviews, the first show to break the streak. Probably just a fluke, though. Right?
- The Defenders happens in an attempt to mirror the team-up mentality that led the film series to Avengers: Infinity War. The main difference, of course, is that Defenders is one of the most arduously-conceived, inconsequential, straight-up boring television shows ever made.
- This seems to spook the larger Netflix/Marvel model, predicated on interconnectedness from the get-go, and each individual series begins to shy from too much overlap. Rosario Dawson’s Night Nurse, the only character to appear in each show, seemingly evaporates.
- The second seasons of Jones, Cage and Fist premiere, all to lowly-to-middling reviews that fail to generate much more of a reaction past “meh.”
- Cage and Fist get the axe and Daredevil‘s third outing arrives with the promise of a return to the Glory Days of Season One, back when it was the only one of its kind in existence.
Continue reading Daredevil – Season 3
If anyone has shown a dedication to the long game in big-budget storytelling lately, it’s Marvel. The latest addition to the ever-expanding Cinematic Universe is the Netflix series Daredevil, chronicling the early days of lawyer Matt Murdock and his crimefighting alter-ego. In many ways Daredevil is the best thing to happen to the MCU in a long time. Not only is it far superior to Marvel’s other television ventures Agents of S.H.I.E.L.D. and Agent Carter, but it often packs more of a punch — physically and emotionally — than the majority of the MCU films. The lack of cable television limitations or MPAA ratings means the show can be as dark as it needs to be. Most importantly, though, Daredevil shies away from the typical overblown grandiosity of many MCU ventures and opts instead for a very human drama.
It’s still a hero vs. villain thing we’re dealing with here, of course, but Daredevil is at its strongest when it plays away from that (striking the super– prefix from both hero and villain). Murdock gets his ass handed to him on a regular basis, Wilson Fisk is diabolical and yet relatable, and the street-level politics of the show are far more interesting than the end-of-the-universe Avengers stories. This is true of the comics, too, and as with live-action Daredevil it took a while to get the character right. There are a whole host of comic book influences for the Netflix series — primarily the Frank Miller tales The Man Without Fear and Born Again —which we’ll dive into now. Ye be warned: spoilers abound.
Continue reading Daredevil – Season 1