For better or worse, the most apparent quality of the first season of Jessica Jones was how out-of-place it felt amongst the rest of the Marvel Cinematic Universe continuity. If you’re accustomed to (or numbed by) Marvel’s breezy stories of superpowered do-gooders quipping their way to a city-leveling, CGI-fueled finale, then the first thing you notice about Jessica Jones has to be how unconcerned this superpowered character seems to be with doing any do-gooding at all. Maybe that’s the second thing you notice. First, you probably notice that the Jessica Jones theme song starts off as a pretty cool slinky-smooth avant-garde noir-jazz piece before veering off inexplicably to become a prog-rock dumpster fire. The thing’s an absolute mess. I happen to like both John Coltrane and Steve Vai, but not in the same span of two minutes.
Anyway, here’s a somewhat interesting quote from our review of the first season of Jessica Jones:
The latest entry in Marvel’s grand scheme has more inherent push/pull to the interconnectedness thing than any other installment in the Marvel Cinematic Universe, and that includes the Netflix predecessor Daredevil. On one hand Jessica is about as far away as you’re going to get from Captain America, and maybe that marks trouble for an inevitable crossing-of-paths — either the dark tone of Jones would be compromised to accommodate Cap or the other way around.
Continue reading Jessica Jones – Season 2
It’s incredibly tempting to write two completely separate reviews of the second season of Daredevil. The most superficial reason for this urge is simply because that’s more or less the way the season is divided: Part One, the first five or six episodes, focuses on the gun-toting, villain-slaughtering Punisher. Part Two focuses on Elektra, the long-ago flame and now-returned firestarter of Matt Murdock. Not long after the second season received the greenlight after a rollicking first season, these were the only two words you needed to mark your excitement: Punisher and Elektra.
The former was exciting mostly because the three preceding attempts to bring Punisher to life — the 1989 Dolph Lundgren version, the 2004 Thomas Jane version, and the pitiful 2008 movie War Zone with Ray Stevenson — all pretty much sucked. Marvel Studios hoovered up the rights to the character and soon announced that he’d appear in a supporting role in Daredevil, signifying an understandable hesitation to give the dude yet another full-length feature after three straight misfires. The latter inclusion was exciting because Elektra is an inextricable part of the Daredevil mythos, per Frank Miller’s incredible must-read run on the comics series in the early ’80s and, yeah, okay, fine, per Jennifer Garner in two movies. Basically this was a time for redemption for both characters, just as the Daredevil series itself is a redemption for the title character.
Continue reading Daredevil – Season 2