Tag Archives: Black Panther

Avengers: Infinity War (2018)

One of the things that soured Age of Ultron, the second Avengers outing, was all of the hard work apparent in the film. Pretty much every movie you watch is the result of hard work, of course, but in Ultron all of the moving and shaking afoot in the past and future of the Marvel Cinematic Universe severely impacted the present, i.e. the actual movie you’re watching right now. Excepting the occasional moment of levity (the Mjolnir party game) or well-drawn action scene (Hulk vs. Hulkbuster), it felt like hard work just to get to the end of Ultron as a viewer. Director Joss Whedon never struck the same natural flow he found in his original Avengers movie, and he seemingly left the MCU because he’d rather work from a place of inspiration than from a blueprint strategy designed to perpetuate a larger narrative. In our original review we posited this as no coincidence when the Avengers themselves begin referring to their superheroism with workplace terminology, to their “jobs,” to the “endgame;” Ultron even has an absent-husband subplot featuring Mrs. Hawkeye that seems a better fit in Death of a Salesman than a Marvel flick.

But Ultron‘s in the past, right? We’re here for the new one, Infinity War, featuring everyone who was in Ultron and everyone who’s had a solo Marvel outing since then, plus a few new characters, plus an occasional cameo from the MCU’s ever-expanding backlog. As such, the first order of business (more workplace terminology!) is to issue a SPOILER WARNING to anyone who has not yet seen Infinity War. Motion State assumes no liability in your reading past this paragraph!

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Jessica Jones – Season 2

For better or worse, the most apparent quality of the first season of Jessica Jones was how out-of-place it felt amongst the rest of the Marvel Cinematic Universe continuity. If you’re accustomed to (or numbed by) Marvel’s breezy stories of superpowered do-gooders quipping their way to a city-leveling, CGI-fueled finale, then the first thing you notice about Jessica Jones has to be how unconcerned this superpowered character seems to be with doing any do-gooding at all. Maybe that’s the second thing you notice. First, you probably notice that the Jessica Jones theme song starts off as a pretty cool slinky-smooth avant-garde noir-jazz piece before veering off inexplicably to become a prog-rock dumpster fire. The thing’s an absolute mess. I happen to like both John Coltrane and Steve Vai, but not in the same span of two minutes.

Anyway, here’s a somewhat interesting quote from our review of the first season of Jessica Jones:

The latest entry in Marvel’s grand scheme has more inherent push/pull to the interconnectedness thing than any other installment in the Marvel Cinematic Universe, and that includes the Netflix predecessor Daredevil. On one hand Jessica is about as far away as you’re going to get from Captain America, and maybe that marks trouble for an inevitable crossing-of-paths — either the dark tone of Jones would be compromised to accommodate Cap or the other way around.

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Black Panther (2018)

There’s nothing quite like a good movie villain. If we’re talking about the Marvel Cinematic Universe, maybe you read this statement another way: there’s nothing quite like a good movie villain, anywhere. With the exception of Loki and a few other superbaddies, the MCU’s well-documented track record for weak villains has been the franchise’s persistent shortcoming. In much the same way as the villains of the Bond franchise became less and less interesting with each progressive installment, by this point you basically know what you’re getting in the Antagonist Department. At worst, the MCU gives us a paper-thin doppelgänger for the hero, a bland apocalypse-seeker with vague motivation, or whatever the heck Christopher Eccleston was supposed to be in Thor: The Dark World. At best, the MCU just gives us Loki for like the fifth time.

And then Black Panther came along.

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