Tár is perhaps not the most exciting title ever conceived for a film, but a character as narcissistic as Lydia Tár wouldn’t dare permit any confusion about who’s in charge here. This is her story, and in Tár’s mind that means she alone is the owner of that story. A story, a piece of music, a relationship, a marriage — these are not conversations or discussions, not malleable things that allow for multiple participants. These are possessions, shouldered entirely by their owner, and in a way those possessions define the identity of the owner herself. Any attempt by another to repossess those things, then, would be akin to destroying that identity.
If you’ve ever found yourself in contention with a true narcissist, you know how threatening that idea really is. Here, in Todd Field’s first film in sixteen years (his previous being the excellent Little Children), Cate Blanchett gives her all as the embattled and egomaniacal Tár, a decorated classical conductor on the verge of completing a massive cycle of Mahler’s symphonies. At first, the success Tár enjoys seems well-earned. She credits her mentors, gives back to the community and has amicable relationships with her assistant and her guest conductor. As the recording session for the final symphony approaches, though, we begin to see how Tár’s success has been built on a sinister foundation.
There’s nothing quite like a good movie villain. If we’re talking about the Marvel Cinematic Universe, maybe you read this statement another way: there’s nothing quite like a good movie villain, anywhere. With the exception of Loki and a few other superbaddies, the MCU’s well-documented track record for weak villains has been the franchise’s persistent shortcoming. In much the same way as the villains of the Bond franchise became less and less interesting with each progressive installment, by this point you basically know what you’re getting in the Antagonist Department. At worst, the MCU gives us a paper-thin doppelgänger for the hero, a bland apocalypse-seeker with vague motivation, or whatever the heck Christopher Eccleston was supposed to be in Thor: The Dark World. At best, the MCU just gives us Loki for like the fifth time.
Motion State Review 