Indiana Jones and the Kingdom of the Crystal Skull has no shortage of detractors. Whenever a beloved film or film series receives a new treatment or installment, most people – myself included – are bound to vocalize their qualms. We said why can’t they leave well enough alone? We said why does everything have to be CGI? With the fourth Indy flick, we said a whole bunch of stuff that shouldn’t be reprinted. So yeah: Crystal Skull is the weakest Indiana Jones for a few reasons. But let’s find something nice to say about it for a change, shall we?
Harrison Ford returns to one of his most famous characters after a quarter-century hiatus (he appeared in one or two movies in the meantime) and most of the old crew returns with him: Steven Spielberg directs from a story by George Lucas, composer John Williams scores the film, and Karen Allen revives the role of Marion Ravenwood. Cate Blanchett plays (ahem, overplays) the primary antagonist Dr. Irina Spalko, and the best things about her are her hair and her name. Among the other new additions to the Indy legend is the consistent use of CGI, which was used sparingly in the first three adventure films in favor of practical effects. It feels at times as if somebody wanted to cram as many CG shots into this thing as possible, and many of those instances are very unfortunately unconvincing. Also: aliens.
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