As a White Dude with a full deck of privilege and a shitload of unlearning to do when it comes to an effort at anti-racism, I acknowledge that there’s always going to be imperfection, at best, in my understanding of the Black Experience. Too many people like me use that as an excuse to not even try, of course, preferring the comfort of a bubble in which ignoring racism is hardly ever recognized in and of itself as a racist act. As a White Dude, part of me resides inextricably in this bubble regardless of my physical location. There’s quite an echo in here. And while I do recognize that ignoring racism is itself a contribution to racism — of course it is — I’m still undoubtedly one of those unthinking contributors. And admitting this puts me no closer to our aforementioned understanding. Nine out of ten attempts to place myself outside of the bubble are too weak to even perforate it, and the tenth is a noble failure.
Amongst those measures of not-enough is the discovery, experience, discussion and championing of Black Art. This is too easy and not impactful enough to be considered “putting in the work” for us White Dudes, or to count as allyship in any meaningful sense. So I’m gonna sound really, really desperate to make a grand point here when I turn heel to assert that it’s also not nothing, because not nothing is hardly the bar we should be striving to clear. But when discovering, experiencing, discussing and championing something as vital as Mangrove, even this most passive engagement can result in challenging questions of the sort that are typically drowned out in the din of the benighted bubble.
Continue reading Small Axe: Mangrove (2020)
Time is not the type of documentary that could have been directed by anyone. Sure, it could have. Most documentaries are exactly that, and to be fair there’s something to be said for an unobtrusive, understated approach to nonfiction filmmaking. Here, the subject matter is so relevant and the central “character” is so compelling that the documentarian in the director’s chair could simply have flicked the camera on and pointed it at Fox. Time would likely still be an essential watch. But Garrett Bradley, in directing only her second feature, does so much more in bringing Fox and Rob Richardson to the screen.
After a robbery they committed in desperation in the 1990s, wife and husband Fox and Rob are separated when Rob is sentenced to 60 years — without parole — for the crime. They already had one child at the time of Rob’s incarceration, and Fox was pregnant with twins at the time. In the ensuing twenty years, Fox not only raises her boys and makes a career of speaking publicly about her experience, but fights tirelessly to secure Rob’s release. Throughout it all, Fox maintains a video diary for her husband, charting the growth of their children and the struggle for their family’s reunification over two long decades.
Continue reading Time (2020)
While Netflix has proven itself worthy of quality television in its queue of original series, Amazon Prime still has something to prove. With Catastrophe, it gets a good start.
Catastrophe, a comedy written by Sharon Horgan and Rob Delaney, stars the duo as a somewhat dysfunctional couple that gets together when Sharon (played by Sharon) finds out she is pregnant with Rob’s (played by Rob) baby after the two have a one-week stand. Catastrophe just wrapped up its second season and is getting ready for a third, so now is a great time to catch up.
Continue reading Catastrophe (Seasons 1-2)
Much has been written about Amazon’s Pilot Season, particularly its live-action slate–and with good reason, judging from potentially great new shows like The Man in the High Castle. As for the animated fare, critics have been criminally silent–possibly with good reason, judging from titles like The Stinky & Dirty Show. But their first mistake is lumping those shows together with Niko and the Sword of Light. (Their second mistake is probably assuming that animation has nothing new to offer.)
Niko started out as a carefully crafted motion comic. Actually, it started as a labor of love by a group of storyboard artists, concept designers, and animators from several high profile studios. But thanks to a successful Kickstarter campaign, Niko’s journey can now be purchased and experienced on iPads everywhere. These adventures follow the last human boy as he seeks to rid his savage land of the darkness that’s consumed it. With the help of a sword (of light, naturally) and a strange host of creatures he meets along the way, Niko braves countless enemies and discovers more mysteries about his past. Continue reading Niko and the Sword of Light 1.1