When people say it’s just like a ’70s spy thriller! or if you like ’70s spy thrillers, you’ll love this!, the movie they’re all referring to whether they know it or not is Three Days of the Condor. This is how we measure the influence that the Pollack-Redford political drama has had on our current film industry: in remakes, spinoffs, tributes, allusions, shoutouts and straight-up copies of the original.
Written as the novel Six Days of the Condor by James Grady, the book translated to the screen so well thanks to the the meticulous aplomb of Sydney Pollack and the solid performances of the entire cast. Three Days of the Condor wasn’t written to be an overtly political film, all appearances to the contrary, and according to Pollack and Redford the “thriller” aspect of “political thriller” was the part they tried to emphasize. It worked. Still, the political associations were all but unavoidable in 1975; Watergate was certainly still fresh, but more immediate was the leaking of highly sensitive CIA documents known as the Family Jewels scandal. This occurrence ended up being one of those Hollywood coincidences where a movie gets made about a particular subject and then that particular subject, one day out of the seeming blue, becomes the particular subject of the day’s news. Three Days of the Condor came out too close to the Family Jewels scandal to be able to say anything explicitly about it, but it managed to wrestle with the issue all the same.