For a season finale as understated as “Klick”, concluding the second-season run of a show as understated as Better Call Saul, an awful lot happened in one hour. Time and again we find ourselves referring to Saul in terms of a balancing act — between comedy and drama, between moral and immoral, between sympathetic and pathetic, between action and inaction. “Klick” lived in a few of those spaces, none more obvious than the space between subtlety and downright ridiculousness. Saul on the whole thrives in this balancing act, and in part it’s forced to do so by the predecessor Breaking Bad. Saul has to balance restraint with forward progress, treading lightly so as to remain interesting while not intruding on Bad‘s storylines.
Take the first scene of “Klick”, veering toward the latter on the scale spanning subtlety and ridiculousness. Jimmy and Chuck sit by their ailing mother’s hospital bed, Mrs. McGill lying unconscious as she closes in on death. It’s been a while, apparently, and so Jimmy recommends they go get hoagies. Chuck declines — he won’t leave his mother, not now. Jimmy? Yeah: Jimmy wants a hoagie. So Jimmy goes to get a hoagie. When he’s alone with his silent mother Chuck breaks down, perhaps remembering how Jimmy screwed his father over right before his expiration date. Chuck cries because if his mother dies then it will just be him and Jimmy, which in Chuck’s mind is tantamount to it just being him.
Continue reading Better Call Saul 2.10 – “Klick”
IGN said it best: Better Call Saul has high stakes, and yet somehow they’re mostly personal stakes. Yes, Mike’s storyline finds him embroiled in a dangerous and deceptive feud between Nacho and Tuco, wherein the stakes are most certainly life-and-death. Obviously Mike’s personal experiences and outlook play into his actions (more on that later), but when juxtaposed against Jimmy’s it’s clear that Mike deals with a lot of external factors in the form of predictable people. Tuco will kill Nacho someday, so Nacho takes the initiative to kill him first. Tuco will take the bait Mike lays out for him, and the police will arrive at around the time Mike intends them to arrive. Mike says to Nacho “Your Tuco Salamanca problem goes away,” with such certainty that before the plan is put into effect we’re already pleased with the result.
Jimmy’s side of the series is a little different, not because the people he’s surrounded by are any less predictable but because each of them is most concerned with their own personal reputation. If Mike fails there’s a distinct possibility it will end his life; if Jimmy fails it will end his career. Actually, “failing” to Jimmy now seems synonymous with “following all of the rules”, which would in fact result in him keeping his job, which everyone but Jimmy would likely deem “succeeding”. Saul asks us to see his side of things while positing that he’s the one who’s backwards, and never was that more clear than in “Gloves Off”.
Continue reading Better Call Saul 2.4 – “Gloves Off”
Better Call Saul mixed things up last night by completely switching the focus onto another character. Mike Ehrmantraut was a fan favorite in the later seasons of Breaking Bad, and his presence in the prequel/spinoff up to this point has been sort of a glorified cameo. “Five-O” took the reins away from Bob Odenkirk’s Jimmy and gave them to Jonathan Banks’s tortured, pouty-faced Mike, and it was one of the most ingenious moves yet from a show that’s already pretty fantastic.
At the close of the last episode “Alpine Shepherd Boy” we saw Mike engage in a bit of a staring contest with a young woman we presumed to be his daughter. We knew Mike’s granddaughter Kayleigh is part of his motivation for moneymaking during the events of Breaking Bad, but apart from a game of Hungry Hungry Hippos we never saw much of Mike in his family life. “Five-O” broke that wide open, answering a ton of questions and raising a few more in the process.
Continue reading Better Call Saul 1.6 – “Five-O”