Tag Archives: Robert Carlyle

Face Off: Flight of the Phoenix (1965) and Flight of the Phoenix (2004)

Motion State Face Offs pit two films, franchises, or television series against each another for no reason other than because we can.

The original Flight of the Phoenix is sort of an unsung classic. Sure, people still watch it a half-century later, catch it on TCM, and it was at least popular enough for somebody to remake it in 2004. But take even just a quick look at the incredible  cast and try to tell me Flight of the Phoenix has the popularity it deserves today. Jimmy Stewart! Richard Attenborough! Ernest Borgnine! Peter Finch! George Kennedy! Ian Bannen, for chrissake! It’s the ensemble equivalent of Age of Ultron except all of the actors are good and are playing characters instead of cardboard cutouts.

Here’s the trouble: in terms of plot, the 2004 remake is one of the most faithful remakes ever remade. It’s nearly beat-for-beat as far as the major story points are concerned, and even some of the lines of dialogue propelling those story points are simply lifted from the original and plopped back down here. Sure, new people are saying those lines and being influenced by those story points — but then again it’s just the actors that are new, not the characters. Those, too, are transplanted in near-entirety. One imagines an archeological expedition to the bowels of the 20th Century Fox studio costume shop under a banner that says Let’s See What We Can See emerging victorious with the costumes and props from the 1965 Flight of the Phoenix still covered in authentic desert sand. “Now all we need is new people!”

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The World Is Not Enough (1999)

Neal Purvis and Robert Wade co-wrote the scripts for an important chunk of the James Bond franchise, penning everything from The World Is Not Enough to Skyfall. They’ll receive a credit for the upcoming Spectre, apparently advising primary writer John Logan, but the previous five films are pretty much The Wade/Purvis Era while Skyfall might end up marking an overlap with The Logan Era. There are a few stinkers throughout Wade/Purvis, namely two that are regarded among the worst Bond flicks of all time: the Joel Schumacher-esque Die Another Day and the incorrigibly self-serious Quantum of Solace. Odd that one would be too goofy and one not goofy enough. But the other three efforts comprise the real Wade/Purvis Bonds, allowing those other two to just be buffers interspersed between the flicks that actually matter: The World Is Not Enough, Daniel Craig’s introduction in Casino Royale, and the mega-hit Skyfall.

The theory goes that a Bond scribe — at least this particular duo — takes two or three tries to really get it right. Even Ian Fleming only turned out his best Bond yarns after testing the waters with the likes of Live and Let Die and Moonraker. With Wade/Purvis, the tautness of the story is the best evidence to support this theory.

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