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We Own the Night (2007)

There are obvious similarities between James Gray’s third film We Own the Night and his first two features Little Odessa and The Yards, and they’re mostly positive points. All three are New York crime dramas that focus on families straddling the moral wires of right and wrong, all have strong supporting characters, and all have a good handful of unique and intense action scenes. Considered side-by-side We Own the Night might be the “glossiest” of the three, lacking some of the grit of Odessa and Yards but also lacking some of the exciting virility Gray brought to those films. Still, the result is a more-than-passable NYC crime story.

The premise is highly familiar, and that alone may relegate Night to the rung below the likes of the arrestingly deviant Little Odessa. Joaquin Phoenix and Mark Wahlberg play Bobby and Joey, brothers on opposite sides of the law, the former owner of a seedy drug-fueled nightclub and the latter a golden boy NYPD officer. The events that bring them together aren’t altogether unfamiliar either. The big bad Russian drug dealer Vadim frequents Bobby’s place, so Joey (for some strange reason) believes his estranged brother to be the only person in the entire packed nightclub who can inform on him. Vadim (for some strange reason) suddenly puts an inordinate amount of trust in Bobby, letting him in on a secret to which only his most trusted henchmen are privy. If this all sounds disappointingly typical for an opposite-sides-of-the-law drama, that’s because it is.

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