On New Year’s Day it’s customary to make a ritual sacrifice to the all-powerful List Gods, the extradimensional appetites of which demand that all things — like, say, the best (and worst) movies of 2018 — be ordered and numbered before the new year can commence. For some reason, the List Gods also demand that “Top Ten” items be ranked in reverse sequential order so that everyone has to read the whole damn article to see what came in first.
Editor’s note: in cooperation with scary net neutrality stuff, Motion State’s Top Ten this year was subject to audit and review before publication to ensure that none of this news is deemed fake. As such, the views expressed in this commentary are actually 100% correct, factually speaking. These ones are just the best.
Continue reading Best of 2018
There were a number of factors that prevented me from rushing out to see You Were Never Really Here on opening night. First was the weather, which is not really an excuse at all if you’re a New Englander like me. The second factor was the review snippet plastered on the poster that referred to the film as “Taxi Driver for a new century.” Do I enjoy Taxi Driver? I do. Do I enjoy “modern updates” to ’70s classics like Westworld, for example? Occasionally, yes, I do. But this kind of explicit tailcoat-riding is either lazy marketing or inadequate criticism or, likely, both. I don’t think I saw Interstellar because people said “it’s 2001 for a new generation!” and I didn’t see Annihilation because people said “it’s 2001 for a new generation!“, but I do know that I enjoyed those movies primarily for how not-2001 they both were.
But this, too, is a weak excuse. Two big preventatives: firstly, in a move most unforgivable and piteously ironic for someone who purports to point out “inadequate criticism” in the first paragraph of this very review, I had never before seen anything directed by Lynne Ramsay. People had gently suggested this oversight as something I should reconcile tout suite. “Start with Ratcatcher,” they said, recommending Ramsay’s feature debut. “Start with We Need to Talk About Kevin,” they said, recommending her 2011 effort. I’m a bit of a completist in this regard, watching one movie by the Coen Brothers and then suddenly finding myself rewatching them all. Maybe my appreciation of You Were Never Really Here would be heightened if I first paid my dues to Ramsay’s previous films, no?
Continue reading You Were Never Really Here (2018)