Tag Archives: Gillian Flynn

Secret in Their Eyes (2015)

Among the many films that slipped through the cracks last year was Secret in Their Eyes, a remake of the 2009 Argentinian Oscar-winner of the same name. Actually, the original is El secreto de sus ojos, which a sane person might translate as THE Secret in Their Eyes, but even inclusion of the the makes for a clunky title. See, it’s not that each eye has a secret or anything — that would be Secrets, plural, in Their Eyes. Obviously the title tells us that there is a single secret, okay, and it’s in multiple eyes. Or maybe just one eye per person. The major reason this film failed at the box office and slid under the radar of pretty much everyone is that the title fails to delineate exactly which eyes we’re dealing with here.

Maybe it’s a part of the long game, though, this being the start of a new shared-universe franchise or something. Next up is Secret in Their Left Eyes, follow by Right, followed of course by Left v. Right: Dawn of Secret. Each of those would be hard-pressed to be a bigger waste of time than this film, and the possibilities really are endless if your only criteria for titling a major motion picture starring three Hollywood A-listers is “must contain words”. As Louis C.K. said about parents being giving free reign to name their babies whatever the hell they want: shouldn’t there be at least a couple of rules? What’s that you say? The Elements of Style came out in 1920?

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Gone Girl (2014)

Gone Girl had a lot to live up to in the David Fincher oeuvre. I may be alone in saying that nothing in his filmography of the past few years has totally astounded me; The Social Network and Zodiac – well acted and beautifully filmed though they were – just didn’t have enough plot to hold me for the entire runtime, and The Curious Case of Benjamin Button and The Girl With the Dragon Tattoo had more than a few other problems. That said, there’s little doubt that Fincher is still to be considered among the few American masters of filmmaking. Not only does Gone Girl provide more proof of that, but it’s also a film with a much stronger plot than the aforementioned dramas.

Ben Affleck stars as Nick Dunne, husband of Rosamund Pike’s Amy Dunne, who is forced to deal with the events following her sudden disappearance on their fifth anniversary. These events include police interrogations, candlelight vigils and family consolations – but the most jarring presence is the frenzy of media coverage that descends upon Nick’s life. As the first half of Gone Girl progresses, Nick’s behavior seems more and more suspicious, and even though we’ve been following his story since the very moment of his discovery of Amy’s disappearance, Nick still seems more and more guilty.

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