It’s actually borderline impressive how dull Kidnapping Mr. Heineken ends up being. The true story of the capture, ransom and eventual release of beer mogul Freddy Heineken is a harrowing one. Heineken was one of the richest men in the Netherlands when he was kidnapped. He was held for weeks in a brilliantly-constructed soundproof cell that probably inspired that twist from Denzel’s Inside Man. His ransom was the largest ever paid for an individual, and his captors evaded police for weeks following their release of Heineken. The media had an absolute field day with the entire affair, but the personal motives on the part of the captors are interesting as well.
As a film, though, pretty much all of that falls flat. Jim Sturgess plays the ringleader and de facto mastermind Cor Van Hout, flanked by Sam Worthington’s Willem and Ryan Kwanten’s Cat, and each actor does fine with the part allotted to them. Anthony Hopkins is the veteran and obvious draw in the part of Freddy Heineken. Finally, director Daniel Alfredson is an intriguing choice as well, having previously helmed the original Millennium Trilogy before David Fincher took over for the American version of Girl with the Dragon Tattoo.
Continue reading Kidnapping Mr. Heineken (2015)
Gone Girl had a lot to live up to in the David Fincher oeuvre. I may be alone in saying that nothing in his filmography of the past few years has totally astounded me; The Social Network and Zodiac – well acted and beautifully filmed though they were – just didn’t have enough plot to hold me for the entire runtime, and The Curious Case of Benjamin Button and The Girl With the Dragon Tattoo had more than a few other problems. That said, there’s little doubt that Fincher is still to be considered among the few American masters of filmmaking. Not only does Gone Girl provide more proof of that, but it’s also a film with a much stronger plot than the aforementioned dramas.
Ben Affleck stars as Nick Dunne, husband of Rosamund Pike’s Amy Dunne, who is forced to deal with the events following her sudden disappearance on their fifth anniversary. These events include police interrogations, candlelight vigils and family consolations – but the most jarring presence is the frenzy of media coverage that descends upon Nick’s life. As the first half of Gone Girl progresses, Nick’s behavior seems more and more suspicious, and even though we’ve been following his story since the very moment of his discovery of Amy’s disappearance, Nick still seems more and more guilty.
Continue reading Gone Girl (2014)