Parasite is consistently surprising at every turn. Even if you don’t go in cold, knowing nothing about the plot or themes of Bong Joon-ho’s latest, the sprightly storytelling still does its job in keeping you on your toes. If you’ve seen Bong’s English-language efforts Snowpiercer and Okja, you might assume Parasite to be structured over themes of class disparity and the dangers of technology. While you’d technically be correct, those themes are far less obnoxious than they were in Snowpiercer, more cohesive than they were in Okja, and overall the plot- and character-based twists make Parasite into a far superior film.
We won’t dive into those twists, because coming in blind is likely the best way to experience this (any?) film. The plot, in its barest summary, follows the impoverished Kim Family as they grow increasingly resourceful in trying to make ends meet. Their collective path crosses with that of the Park Family, one of Korea’s wealthiest, and from there… Continue reading Parasite (2019)
In our year-end Best of 2018 list — an infallible writ if ever there was one — we awarded the animated romp Spider-Man: Into the Spider-Verse the #10 slot, along with the following explainer:
Someone recently said of the late Marvel Comics giant: “When Stan Lee made better comics, he made comics better.” Spider-Man: Into the Spider-Verse is the latest superhero movie in an industry landscape that sometimes feels like it’s traded originality for IP. But Spider-Verse is gleefully, genuinely, finally a better comic book movie — and it might make comic book movies better.
Spider-Verse pushed a boundary that superhero films haven’t been able to push in a long, long time. It was fresh in the way only a non-franchise movie can be, and it was about as original as possible for a story based on existing characters. The goal with most modern superflicks, conversely, is to tie it all together, linking an ever-expanding franchise by deepening character relationships, furthering multi-film arcs, and reviving heroes and villains in such a way that prompts either “oh shit, it’s him!” or “wait…who’s that?”
Continue reading Spider-Man: Far From Home (2019)