Sense8 seems like the kind of show that began with the title, then developed an edgy concept to match/justify the title, then built a plot around the concept, then sort of accumulated characters to fill the whole thing out. That’s conjecture, of course, and of course there’s no “right” way to build a lasting story in the medium of television or otherwise. Lana and Andy Wachowski have been around the block, too, with the Matrix series, V for Vendetta, Cloud Atlas and their most recent film Jupiter Ascending among the numerous entries on their joint résumé. Their sci-fi movies are big, loud, and undeniably ambitious, and while the jury’s mostly still out on whether those movies are any good or not it’s certainly true that their concepts are highly original.
The concept of Sense8 is simultaneously the best thing about the series and the most frustrating. Eight people, spread across the world from San Francisco to Chicago to Mexico City to London to Berlin to Nairobi to Mumbai to Seoul, make a fascinating discovery about themselves: they are able to sense each other. Thoughts, feelings, secrets, emotions — regardless of the distance between them, these “Sensates” (get it?) share a bond that no one else can understand. They themselves don’t understand it for some time, and by the end of the first season there’s still a lot left to explore about the connection these eight people share.
Continue reading Sense8 – Season 1
- May the Fourth be with you! A bunch of Star Wars news dropped this week, including the arrival of the first season of Star Wars Rebels online and the departure of director Josh Trank from the upcoming “anthology” film. Both are good!
- Collider has the first pictures from David Ayer’s Suicide Squad, which the director tweeted last night. If you’re wondering what in the hell is going on with some of these costumes, you’re not alone. Killer Croc needs a touchup. Badly. But the solo portrait of Will Smith’s Deadshot is promising, even if he’s still a weird choice for the role.
- CSI, one of the longest-running cable television shows in history, has been officially cancelled by CBS. The question is now whether a farewell season is in order, or whether that last season finale is actually the series finale, or whether anyone actually gives a shit about CSI anymore.
Continue reading Film & TV News: May 4
Sometimes timing is everything when releasing a major studio film. That’s why we get The Prestige and The Illusionist one after the other, Antz and A Bug’s Life, Dante’s Peak and Volcano, The Truman Show and EdTV, all released within a month or two of a very similar counterpart. Is that good timing or bad timing? If the subject of these films is “in”, then it hardly matters. People suddenly like period magician dramas, so they want both Illusionist and Prestige. They suddenly like animated ants and volcanic destruction and reality TV heroes, so they want multiple movies about them. One can imagine a studio holding a film they find to be strikingly similar to one that just came out, hoping to distance this from that, only to be accused of copying the success of the first.
Whatever the studio machinations, sometimes the relevance of a movie is just plain dumb luck. Hacking and cyberterrorism have been in the news quite a bit lately, what with the November data leak at Sony and subsequent hullabaloo surrounding The Interview only just starting to get pushed to page two. Michael Mann’s globetrotting hacking drama Blackhat addresses that current fear, but unfortunately it doesn’t manage to extract a very good story out of the headlines.
Continue reading Blackhat (2015)