As stated in our review of The Fog, few directors have had their filmography subjected to as many pointless remakes as John Carpenter. The Thing might be the one that seems the most untouchable, the most sacred in its original form. Ironically, the 2011 Thing remake is probably the best Carpenter remake of them all. Still, the further one delves into the (re)making of the update, the more it just seems like doing Thing over again is a bad idea. Eric Newman, one of the producers on the 2011 film, had this to say about the development:
“I’d be the first to say no one should ever try to do Jaws again and I certainly wouldn’t want to see anyone remake The Exorcist…we really felt the same way about The Thing. It’s a great film. But once we realized there was a new story to tell, with the same characters and the same world, but from a very different point of view, we took it as a challenge.”
No, this isn’t going to be a rant about originality (or lack thereof) or a rant about practical effects (or lack thereof) in modern filmmaking — if you were to blindly click anywhere else on your screen right now you’d probably hit one of those. If anything, much as our rundown on Carpenter’s Escape from New York attempted to define “infodump”, what we’re really concerned with here is how far the term “remake” really stretches.